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Andréa Avancini (b. 1966)

Alias:
Andrea Avancini
Andrea da Rosa Avancini

Birthplace:
São Paulo, São Paulo, Brazil

Born:
April 2, 1966

Biography from TheMovieDB

Andrea da Rosa Avancini (São Paulo, April 2, 1966) Businesswoman, Actress, Theater Director, Producer and Filmmaker.  As an actress she has participated in 25 soap operas and serials in 35 years of her career. Among his prominent roles on television are the characters Eugênia, in Xica da Silva, Zuzu in Mandacarú, Teresinha, Alma Gêmea, Ivete, Chocolate with Pimenta, Luli in, Rebelde, Zilpa in, José do Egito, Sama in, The Promised Land. Awarded twice with the Nelson Rodrigues Trophy for her work as an actress and personality promoting the arts, Andrea brings in her name the weight and seriousness of one of the most traditional and respected families in the Brazilian cultural and artistic scene. Daughter of the great master of teledramaturgia, the director of telenovelas Walter Avancini, one of the creators of the language of Brazilian television. Sister of the filmmaker and general director of telenovelas Alexandre Avancini, considered one of the most important directors of the country. Mother of voice actor Andreas Avancini, veteran voice actor who lives in Portuguese to characters known as Leonardo of Turtles Ninjas, The Pennywise Clown in It's Thing, Peeta (Josh Hutcherson) in Hunger Games, Quentin Jacobsen (Nat Wolff) in Paper Cities.  From Wikipedia(pt), the free encyclopedia

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Film Production

Director:
2019  Tell me your story or give me your soul

Executive Producer:
2019  Tell me your story or give me your soul

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TV Performances

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About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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