A work in constant progress (and occasional regress).
Premiere:
March 19, 1984
# of Seasons: 1
# of Episodes: 155
Finale:
September 14, 1984
Creators:
Ivani Ribeiro
Original Title:
Amor com Amor Se Paga
Genres:
Comedy | Soap
Countries:
BR
Art Department Production Assistant:
Lila Bôscoli
Assistant Director:
Célio de Azevedo
Camera Operator:
Júlio dos Santos
Ivan Gaspar
Evandro de Oliveira
Continuity:
Celimar Brito
Andréa Vaz
Coordinating Producer:
Bruno de Moraes
Maria Alice Miranda
Costumer:
Ana Lucia Quintaes
Director:
Gonzaga Blota
Jayme Monjardim
Atílio Riccó
Director of Photography:
Milton Valinho
Dressing Prop:
Carlos Gil
Editor:
Jair Braga
Célio Fonseca
Executive Producer:
Mariano Gatti
Lighting Technician:
Sílvio Carneiro
Manoel de Souza Raimundo
Makeup Artist:
Tereza de Oliveira
Ciléia Torres
Mercedes Mattos
Leila Raposo
Makeup Department Head:
Eric Rzepecki
Music Consultant:
Francisco Santos Júnior
Music Director:
Antônio Faya
Music Producer:
Roger Henri
Marcio Pereira
Geraldo Vespar
Music Supervision Assistant:
Márcio Antonucci
Original Music Composer:
Guto Graça Melo
Sérgio Motta
Producer:
Luiz Carlos Rezende
Benvindo Caetano
Mauro Raposo
Celso Santos
Almir Chagas
Décio Muniz Filho
Producer's Assistant:
Jack Motta
Guiga Soares
Production Director:
Ary Grandinetti Nogueira
Production Manager:
Carlos Henrique de Cerqueira Leite
Researcher:
Ana Maria Blota
Set Designer:
Jorge Moreira
Fernando Meirelles
Sound Designer:
Sérgio Seixas
Sound Effects:
Marcos Caetano
Title Designer:
Hans Donner
Ricardo Nauenberg
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.