A work in constant progress (and occasional regress).
Tom Williams is an American production sound mixer for film and television. He attended the Berklee College of Music as a Production Engineering Major and worked in studios around Boston with elements as diverse as rock bands to orchestras. From studio work, he moved into documentaries, which took him around the world shooting for the BBC, NOVA, American Experience and Discovery. This led to narrative work and then into the feature world, where he has worked on many high profile projects.
Cableman:
2000 The Perfect Storm
Other:
2000 The Perfect Storm
2023 Indiana Jones and the Dial of Destiny
Production Sound Mixer:
2000 The Perfect Storm
2023 Indiana Jones and the Dial of Destiny
2023 The Shade
Sound Mixer:
2000 The Perfect Storm
2001 Session 9
2009 Surrogates
2009 The Box
2010 The Company Men
2010 The Social Network
2012 Ted
2013 American Hustle
2015 Black Mass
2017 Brad's Status
2018 American Woman
2020 Godmothered
2021 Don't Look Up
2021 Free Guy
2022 The Pale Blue Eye
2023 Indiana Jones and the Dial of Destiny
2023 The Shade
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.