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American Woman (2018) [R]

Release Date:
June 7, 2018

Original Title:
American Woman

Alternate Titles:
The Burning Woman

Genres:
Drama

Production Companies:
Romulus Entertainment
Scott Free Productions

Production Countries:
United States of America

Ratings / Certifications:
DE: 12  FR: 12  GB: 15  RU: 18+  US: R 

Runtime: 111

Never lose hope.

Overview from TheMovieDB

A young grandmother in a small Pennsylvania town raises her daughter's child after the girl disappears. All the while, a desperate search for her continues.

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Additional information:

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Video

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Trailer

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Performers

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Production

"A" Camera Operator:
Mark Schmidt

"B" Camera Operator:
Terrence Hayes

ADR Mixer:
Bob Lacivita
Brian Magrum

Additional Music:
Agnes Obel

Art Department Coordinator:
Alix Metros

Art Direction:
Michael C. Stone

Assistant Editor:
Emma Stickgold

Assistant Production Coordinator:
Elliott Adkins

Assistant Property Master:
Beth Anderson
Justin Bliss

Assistant Sound Editor:
Charley Stauber

Best Boy Electric:
James R. Mitchell

Best Boy Grip:
Tobias Haller

Boom Operator:
Mark Shaw

Camera Loader:
John F. McCarthy

Casting:
Carmen Cuba

Casting Associate:
Helen Geier
Matt Bouldry

Construction Coordinator:
Stephen Gavin

Costume Assistant:
Brian Sprouse

Costume Design:
Alex Bovaird

Costume Supervisor:
Tina Ulee

Dialect Coach:
Wendy Overly

Dialogue Editor:
Kimberly Ellis

Digital Imaging Technician:
Mike DeGrazzio

Director:
Jake Scott

Director of Photography:
John Mathieson

Dolly Grip:
Tim Catz

Editor:
Joi McMillon

Executive Producer:
Erika Olde
Joseph Ingrassia
Brad Ingelsby
Shea Kammer
Ryan Stowell
Jonathan Rosenthal
Jordan Foley

Extras Casting:
Billy Dowd

First Assistant "A" Camera:
Basil Smith

First Assistant "B" Camera:
Joe Christofori
Jamie Fitzpatrick

First Assistant Accountant:
Brandon Hollyer

First Assistant Director:
Howell Caldwell

First Assistant Editor:
Daniel Morfesis

Foley Artist:
Dawn Fintor
Alicia Stevenson

Foley Mixer:
David Jobe

Gaffer:
Joshua Dreyfus

Graphic Designer:
Megan Blake

Hair Department Head:
Frank Barbosa

Hairstylist:
Paula Dion
Raul Hernandez

Key Costumer:
Tyler Kinney

Key Grip:
Eric Komar

Key Hair Stylist:
Brian Nunez
Shayna Passaretti

Key Makeup Artist:
Sherryn Smith

Leadman:
Guy L. Bermel

Local Casting:
Carolyn Pickman

Location Manager:
Alex Berard

Makeup Artist:
Marissa Giammarco
Ginny Colangelo

Makeup Department Head:
Liz Bernstrom

Music Coordinator:
Ian Herbert

Music Editor:
Nicholas Fitzgerald

Music Supervisor:
Randall Poster

Original Music Composer:
Adam Wiltzie

Payroll Accountant:
Rosa Garces

Post Production Supervisor:
Renee Minasian

Producer:
Ridley Scott
Brad Feinstein
Michael A. Pruss
Kevin J. Walsh

Production Coordinator:
Feifei Ling

Production Design:
Happy Massee

Production Secretary:
Tevya Desiderio

Production Supervisor:
Jarin Rossiter

Property Master:
Amy Teitter
C. Kent Lanigan

Rigging Gaffer:
Mark Price

Script Supervisor:
Jenna Dayton

Second Assistant "A" Camera:
Eve Strickman

Second Assistant "B" Camera:
Mark Killian

Second Assistant Director:
Kenneth Donaldson

Set Costumer:
Margaret Codola
Matt Passarelli

Set Decoration:
Danica Chipman

Set Dresser:
Niko Diaz

Sound Effects Editor:
Dino DiMuro

Sound Mixer:
Tom Williams

Sound Re-Recording Mixer:
Drew Webster
Andy Hay

Special Effects Coordinator:
John Ruggieri

Still Photographer:
Seacia Pavao

Stunt Coordinator:
Paul Marini
John Vincent Mason
Mike Smith

Stunts:
Jodi Michelle Pynn
Sera Trimble

Supervising Sound Editor:
Michael D. Wilhoit

Tailor:
Hillary Derby

Unit Production Manager:
Shea Kammer

Visual Effects Supervisor:
Paul O'Shea

Writer:
Brad Ingelsby

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.