A work in constant progress (and occasional regress).
Birthplace:
Poughkeepsie, New York, USA
Born:
January 7, 1939
A veteran of stage, screen and television, Edith Fields is the recipient of the prestigious Los Angeles Drama Critics Award, seven Drama Logue Awards and a KABC Year End Radio Award for her work in Los Angeles Theatre. She began her career at age 5, singing and dancing for community functions in her home town of Poughkeepsie, New York. She acted in college productions and continued to entertain in Army Hospitals with the U.S.O. Fields received her Los Angeles Drama Critics Circle Award (as well as a Drama Logue Award) for her work in the Theatre West Production of Like One Of The Family. Critical praise for her performance as Beth/Consuelo ranged from "dizzy and delightful" (Frontiers) to "a showstopper" (Hollywood Reporter). For her Drama Logue Award-Winning portrayal of Rose, the mother, in Nuts at the Las Palmas Theatre, the Los Angeles Times summed up the critics' opinion: "Edith Fields is splendid!" She won both the KABC Radio Award and Drama Logue Award for Avenue Of Dreams/Nothing Immediate (Company Of Angels), for which she was cited as "extraordinary" (Los Angeles Times). Additional Los Angeles stage credits include Death Of A Salesman (LATC), Beau Jet (Westwood Playhouse), Staccato (Tiffany Theatre), On Borrowed Time (La Mirada Theatre), Grown Ups (Mark Taper Forum), Street Dreams (Zephyr Theatre), Lovers And Other Strangers (Lee Strasberg Theatre), A.R. Gurney's Scenes From American Life (Skylight Theatre) and Michael Cristophers Pulitzer Prize-Winning Shadow Box (Theatre 40), among many others. In New York, Fields appeared both Off and Off-Off Broadway in The Subject Was Roses, A View From The Bridge, The Rimers Of Eldritch, Rites Of Passage, Spilt Milk, The Ward, Two Ladies Talking, Mother Love and The Poseur. Her film credits include Mr. Saturday Night (1992) with Billy Crystal, Dad (1989) with Jack Lemmon, No Way Out (1987) with Kevin Costner, Three Men and a Little Lady (1990) with Tom Selleck, John Cassavetes Big Trouble (1986), Blake Edwards Micki + Maude (1984), William Friedkin Rampage (1987) and Renée Taylor and Joe Bolognas Love Is All There Is (1996). Movies for television include HBO's Norma Jean & Marilyn (1996) with Mira Sorvino and Ashley Judd, Following Her Heart (1994) directed by Lee Grant, TNT's Amelia Earhart: The Final Flight (1994) with Diane Keaton, My First Love (1988) with Bea Arthur and The Rockford Files (1974) with James Garner. She has guest starred on numerous television series including Seinfeld (1989), Murphy Brown (1988), Picket Fences (1992), Caroline in the City (1995), L.A. Law (1986), Cagney & Lacey (1981), Brooklyn Bridge (1991) and Ned and Stacey (1995), among others. Fields graduated from New York University with a Bachelor of Arts degree and went on to study with such legendary acting teachers as Stella Adler, Robert Lewis, Herbert Berghof and William Hickey. She is a member of the Actors Studio.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.