A work in constant progress (and occasional regress).
Release Date:
January 20, 1990
Original Title:
House Party
Alternate Titles:
Uma Festa de Arromba
Genres:
Comedy
Production Companies:
New Line Cinema
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 105
Young Kid has been invited to a party at his friend Play's house. But after a fight at school, Kid's father grounds him. None the less, Kid sneaks out when his father falls asleep. But Kid doesn't know that three of the thugs at school have decided to give him a lesson in behavior.
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ADR Editor:
Bobby Mackston
ADR Mixer:
Wallace R. Bearden
Weldon Brown
Michael J. Cerone
ADR Voice Casting:
Barbara Harris
Art Direction:
Susan Richardson
Assistant Art Director:
John Paul Jones
Assistant Editor:
Angela Robinson
Assistant Location Manager:
Leslie Ann Moraes
Assistant Production Coordinator:
English Heisser
Assistant Sound Editor:
Katherine Becker
Best Boy Electric:
Reginald Morris
Best Boy Grip:
Chris Godfrey
Boom Operator:
Arthur Jackson
Camera Loader:
Jeff Janger
Brandon James
Casting:
Eileen Mack Knight
Casting Assistant:
T Smith
Casting Associate:
Cheryl Miller
Choreographer:
A.J. Johnson
Tisha Campbell
Christopher Reid
Christopher Martin
Costume Assistant:
Lisa Secright
Holland Millsap Noel
Costume Designer:
Harold Evans
Costume Supervisor:
Alfred N. Martin Jr.
Costumer:
Sharlene Williams
Dialogue Editor:
H. Jay Levine
Director:
Reginald Hudlin
Director of Photography:
Peter Deming
Dolly Grip:
Greg Bridges
Editor:
Earl Watson
Executive In Charge Of Production:
Deborah Moore
Executive Producer:
Gerald T. Olson
Extras Casting:
Eddie Smith
Extras Casting Assistant:
Destiny-Meesha Dixon
First Assistant Camera:
Scott Browner
Pat Swovelin
First Assistant Director:
Kalai Strode
First Assistant Editor:
Angela Jackson
Foley Mixer:
Dean Drabin
Gaffer:
Michael La Violette
Nicholas Cline
Brett Drouet
Grip:
Chris Byers
Mark H. Crawford
Keith Dixon
Lloyd Jordan
Basil Schmidt
Hairstylist:
Byron Ellison
Key Grip:
Duane Journey
Key Hair Stylist:
Charles Ellis Black
Key Makeup Artist:
Laini Thompson
Lead Set Dresser:
Joseph Davis
Location Manager:
Kojo Lewis
Makeup Artist:
Edna Sheen
Music Editor:
Earl Ghaffari
Music Supervisor:
Kevin Benson
Original Music Composer:
Marcus Miller
Lenny White
Post Production Coordinator:
Jodi Solomon
Post Production Supervisor:
Joe Fineman
Producer:
Warrington Hudlin
Production Coordinator:
Joyce Lewis Demps
Production Design:
Bryan Jones
Production Manager:
Ozus Munny
Production Sound Mixer:
Oliver L. Moss
Production Supervisor:
Elena Azuola
Property Master:
Edmond Scott Ratliff
Rigging Gaffer:
Phelt Saucier
Script Supervisor:
Christopher Adams
Second Assistant Camera:
Brian Bellamy
Second Assistant Director:
Nandi Bowe
Regina Gordon
George Campbell
Second Second Assistant Director:
Roberto Santana
Second Unit Director:
Earl Watson
Second Unit Director of Photography:
Randolph Sellars
Second Unit First Assistant Director:
Sati Jamal
Set Decoration:
Molly Flanegin
Sound Effects Editor:
Brad Sherman
Sound Engineer:
Jack Snyder
Sound Re-Recording Mixer:
Wayne Heitman
Doug Hemphill
Mark Smith
Sound Recordist:
James S. Stewart
Special Effects Coordinator:
Michael Sullivan
Steadicam Operator:
Kirk R. Gardner
Still Photographer:
Bill Nation
Storyboard Artist:
Peter Ramsey
Stunt Coordinator:
Eddie Smith
Stunts:
Oliver Crumes Jr.
Julius LeFlore
Eddie Smith
Gerard 'Gus' Williams
Supervising Sound Editor:
Bobby Mackston
Title Designer:
Tony Ip
Writer:
Reginald Hudlin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.