Manuel Amigo

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Assistant Production Manager:
1965  Texas Jim
1967  Target Frankie
1969  Life Goes On
1973  La leyenda del alcalde de Zalamea

Line Producer:
1965  Texas Jim
1967  Target Frankie
1969  Life Goes On
1973  La leyenda del alcalde de Zalamea
1975  The Adolescents

Producer:
1965  Texas Jim
1967  Target Frankie
1969  Life Goes On
1973  La leyenda del alcalde de Zalamea
1975  El otro Luis
1975  The Adolescents

Production Assistant:
1965  Texas Jim
1967  Target Frankie
1969  Life Goes On
1970  Long Live the Bride and Groom
1973  La leyenda del alcalde de Zalamea
1975  El otro Luis
1975  The Adolescents

Production Manager:
1965  Texas Jim
1967  Target Frankie
1969  Life Goes On
1970  Long Live the Bride and Groom
1973  La leyenda del alcalde de Zalamea
1974  Open Season
1975  El otro Luis
1975  The Adolescents
1975  The Married and the Minor
1976  The Waitresses
1978  El fascista, la beata y su hija desvirgada
1979  ¡Mi adúltero esposo! ('In Situ')
1980  El divorcio que viene
1981  127 millones libres de impuestos

Production Supervisor:
1965  Texas Jim
1967  Target Frankie
1968  Persecución hasta Valencia
1969  Life Goes On
1970  Long Live the Bride and Groom
1973  La leyenda del alcalde de Zalamea
1974  Open Season
1975  El otro Luis
1975  The Adolescents
1975  The Married and the Minor
1976  The Waitresses
1978  El fascista, la beata y su hija desvirgada
1979  ¡Mi adúltero esposo! ('In Situ')
1980  El divorcio que viene
1981  127 millones libres de impuestos

Property Master:
1964  Relevo para un pistolero
1965  Texas Jim
1967  Target Frankie
1968  Persecución hasta Valencia
1969  Life Goes On
1970  Long Live the Bride and Groom
1973  La leyenda del alcalde de Zalamea
1974  Open Season
1975  El otro Luis
1975  The Adolescents
1975  The Married and the Minor
1976  The Waitresses
1978  El fascista, la beata y su hija desvirgada
1979  ¡Mi adúltero esposo! ('In Situ')
1980  El divorcio que viene
1981  127 millones libres de impuestos

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.