A work in constant progress (and occasional regress).
Release Date:
August 1, 1974
Original Title:
Open Season
Alternate Titles:
Farlig jagt
I symmoria ton lefkon kannivalon
Ihmissaalis
Jagdzeit
La chasse est ouverte
Le mele marce
Los cazadores
Oi taxeidiotes
Open Season (1974)
Raakalaiset
Saalistajat
To kynigi ton viaston
Genres:
Action | Drama | Thriller
Production Companies:
Arpa Productions
Impala
Production Countries:
Spain | Switzerland | United Kingdom | United States of America
Ratings / Certifications:
ES: 18 US: R
Runtime: 105
Three Vietnam vets have become so conditioned to violence that they have developed psychotic tendencies. They kidnap people, brutalize them, then turn them loose and hunt them like animals. However the father of one of their earlier victims is plotting a vicious revenge against them.
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Art Direction:
Gil Parrondo
Assistant Camera:
Ramiro Sabell
Julio Leyva
Assistant Director:
Adolfo Aristarain
Assistant Makeup Artist:
Luis Criado
Camera Operator:
Eduardo Noé
Cinematography:
Fernando Arribas
Continuity:
Margarita Pardo
Director:
Peter Collinson
Director of Photography:
Hans Burmann
Editor:
Alan Pattillo
Executive Producer:
George H. Brown
Hairstylist:
Ana Criado
Makeup Artist:
Cristóbal Criado
Music:
Ruggero Cini
Novel:
David D. Osborn
Producer:
José Antonio Sáinz de Vicuña
Production Design:
Gil Parrondo
Production Manager:
Manuel Amigo
Production Secretary:
Graciela Nunez
Production Supervisor:
Francisco Molero
Property Master:
Julián Mateos
Second Assistant Director:
Juan Estelrich March
Sound Editor:
Don Sharpe
Sound Mixer:
Gordon K. McCallum
Sound Re-Recording Mixer:
John Hayward
Sound Recordist:
Wally Milner
Sebastián Cabezas
Special Effects:
Antonio Balandín
Stunts:
Juan Maján
Unit Manager:
Carlos Orengo
Wardrobe Master:
Martín Díaz
Tony Pueo
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.