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Luke DiTommaso

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Alias:
Luke Di Tommaso

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Film Production

Digital Effects Supervisor:
2002  Neo-Noir

Other:
2002  Neo-Noir
2020  Oblivio

Post Production Supervisor:
2002  Neo-Noir
2006  Wild Seven
2020  Oblivio

VFX Supervisor:
2002  Neo-Noir
2006  Wild Seven
2016  The Whole Truth
2020  Oblivio

Visual Effects:
2002  Neo-Noir
2006  Wild Seven
2013  A.C.O.D.
2016  The Whole Truth
2020  Oblivio

Visual Effects Supervisor:
2002  Neo-Noir
2006  Wild Seven
2013  A.C.O.D.
2013  The Butler
2014  A Walk Among the Tombstones
2015  Mississippi Grind
2015  Ricki and the Flash
2015  Rock the Kasbah
2015  Run All Night
2015  The Runner
2016  Stealing Cars
2016  The Whole Truth
2017  All Summers End
2020  Oblivio
2020  Wild Mountain Thyme
2022  Respect the Jux

Click the heading above to show or hide the list.

TV Production

VFX Supervisor:
2013  The Blacklist
2017  The Sinner

Visual Effects Supervisor:
2013  The Blacklist
2017  The Sinner
2019  Fosse/Verdon
2021  The Equalizer
2022  The Bear

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.