A work in constant progress (and occasional regress).
Release Date:
October 3, 2013
Original Title:
A.C.O.D.
Alternate Titles:
A C O D
A.C.O.D.
A.C.O.D. Adult Children of Divorce
ACOD
ACOD - Adulti Complessati Originati Da Divorzio
Adult Children of Divorce
Adulti Complessati Originati Da Divorzio
Scheidungsschaden Inklusive
Síndrome postdivorcio
Взрослые дети развода
Genres:
Comedy
Production Companies:
Black Bear Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: R18+ DE: 12 HU: 18 IT: T JP: PG12 US: R
Runtime: 88
A grown man is still caught in the crossfire of his parents' 15 year divorce. He discovers he was unknowingly part of a study on divorced children and is enlisted in a follow-up years later, which wreaks new havoc on his family.
ADR Editor:
Tony Martinez
ADR Mixer:
Chris Navarro
Additional Dialogue:
Dan Korintus
Art Department Assistant:
Amelia Roberta Ramirez
Art Department Coordinator:
Jaclyn Behringer
Art Direction:
Sheila Nash
Assistant Editor:
Audra Coulombe
Assistant Property Master:
Alexandra West
Best Boy Grip:
Manuel Manny Rivera
Boom Operator:
Christopher Joseph Harris
Casting:
Laura Rosenthal
Rita Harrell
Jen Kelley
Casting Associate:
Jodi Angstreich
Maribeth Fox
Co-Producer:
Ben Stillman
Compositing Supervisor:
Austin Meyers
Compositor:
Geoff DuQuette
Tad Ericson
Ristra Fajarwaty
Kevin Fisch
Michael Hosenfeld
da Suel Kim
Construction Coordinator:
Jay Womer
Construction Foreman:
Russ Dickerson
Costume Design:
David C. Robinson
Digital Compositor:
Scott Saling
Jonathan Skabla
Director:
Stuart Zicherman
Director of Photography:
John Bailey
Editor:
Jeffrey Wolf
Executive Producer:
George Paaswell
Adam Scott
Extras Casting:
Patrick Ingram
First Assistant Director:
Curtis Smith
Foley Artist:
Matthew Haasch
Jay Peck
Foley Supervisor:
Rachel Chancey
Graphic Designer:
Jenn Moye
Robert Ludemann
Grip:
Shawn Neary
Hair Department Head:
Colleen Callaghan
Key Grip:
Kerry Rawlins
Key Hair Stylist:
Scott H. Reeder
Key Makeup Artist:
Micah Laine
Main Title Designer:
Chad Sikora
Makeup Artist:
Aida Scuffle
Makeup Department Head:
Nicole Wodowski
Music:
Nick Urata
On Set Dresser:
Deidra Lynn Currie
Post Production Supervisor:
Jonathan Ferrantelli
Producer:
Ben Karlin
Tim Perell
Teddy Schwarzman
Production Design:
John Paino
Property Master:
Brandon Tonner-Connolly
Props:
Laurie Garner
Patrick Head
Rose Ashikyan
Screenplay:
Stuart Zicherman
Ben Karlin
Second Assistant "A" Camera:
Ryan Abrams
Second Assistant Director:
Amir R. Khan
Second Second Assistant Director:
Brian 'Bear' Lamar
Set Decoration:
Robert Covelman
Set Decoration Buyer:
Sara Riney
Set Dresser:
Martin Corset
Sarah Falls
Shane Garner
Todd Sargent
Sound Editor:
Josh Berger
Sound Engineer:
Aaron 'Cujo' Cooley
Sound Mixer:
Bud Raymond
Sound Re-Recording Mixer:
Robert Fernandez
Special Effects Coordinator:
David Fletcher
Special Effects Technician:
Jeremy Farlow
Emory Manley
Matthew Scurry
Storyboard Artist:
Chris Hunter
Stunt Coordinator:
Scott Dale
Stunt Driver:
Aby Martin
Supervising Sound Editor:
Dave Paterson
Mary Ellen Porto
Visual Effects:
Thompson Conradi
Luke DiTommaso
Ted Markovic
Visual Effects Assistant Editor:
Aniela Sidorska
Visual Effects Editor:
Charlotta Forssman
Visual Effects Producer:
Andrew J. Bly
Daniel Cohen
Visual Effects Supervisor:
Joshua Sacavage
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.