Maggie Levin

Maggie Levin is a filmmaker with rock n' roll roots. She recently wrote & directed her debut feature MY VALENTINE for Hulu & Blumhouse's INTO THE DARK horror anthology series. Other credits include MISS 2059 (Amazon/Go90), THE FRIENDLESS FIVE (Fullscreen) and VAIN: THIS PARTY SUCKS (Nashville Film Festival), and music videos for artists such as Big Data and Fast Friends. She is the creator of THE ROCKY HORROR HIPSTER SHOW, a live club production based in Los Angeles. In 2020, she won Best Director at Austin Indie Fest for her work on the much-lauded short film HEEL.

Additional information:

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Director:
2017  Fae
2017  Vain: This Party Sucks
2018  Diva
2020  Heel
2020  My Valentine
2022  V/H/S/99
????  Retrograde

Executive Producer:
2017  Fae
2017  Vain: This Party Sucks
2018  Diva
2020  Heel
2020  My Valentine
2022  V/H/S/99
????  Retrograde

Producer:
2017  Fae
2017  Vain: This Party Sucks
2018  Diva
2020  Heel
2020  My Valentine
2021  Shadowprowler
2022  V/H/S/99
????  Retrograde

Screenplay:
2017  Fae
2017  Vain: This Party Sucks
2018  Diva
2020  Heel
2020  My Valentine
2021  Shadowprowler
2022  V/H/S/99
????  Retrograde

Second Unit Director:
2017  Fae
2017  Vain: This Party Sucks
2018  Diva
2020  Heel
2020  My Valentine
2021  Shadowprowler
2022  The Black Phone
2022  V/H/S/99
????  Retrograde

Writer:
2014  Lovesick
2017  Fae
2017  Take Your Birth Control
2017  Vain: This Party Sucks
2018  Diva
2020  Heel
2020  My Valentine
2021  Shadowprowler
2022  The Black Phone
2022  V/H/S/99
????  Retrograde

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.