A work in constant progress (and occasional regress).
Release Date:
February 7, 2020
Original Title:
My Valentine
Alternate Titles:
Into the Dark: My Valentine
Genres:
Horror | TV Movie | Thriller
Production Companies:
Blumhouse Television
Crooked Highway
Seatuck Cove Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 79
A pop singer's artistic identity is stolen by her ex-boyfriend/manager and shamelessly pasted onto his new girlfriend/protégé. Locked together late one night in a concert venue, the three reconcile emotional abuses of the past...until things turn violent.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Supervisor:
Justin W. Walker
Accountant:
Alex Tarzan
Art Department Assistant:
Margaret Starbuck
Art Department Coordinator:
Sara Jaeger
Art Direction:
Stephen Dudro
Assistant Editor:
Ricki Reisner
Andre Monaco
Assistant Location Manager:
Derek Tramont
Alex Banderas
Assistant Makeup Artist:
Miya Tamlyn
Assistant Property Master:
Sophie Anzaldo
Associate Producer:
Noor Haydar
Best Boy Grip:
Aaron Pong
Boom Operator:
Rocky Reilly
Brad Bryan
Business Affairs Coordinator:
Simon N. Pulman
Camera Loader:
Jeremy Colegrove
Camera Operator:
Christopher Haifley
Aaron Gantt
Carpenter:
Gabe Villa
Casting:
Melissa Kostenbauder
Casting Assistant:
Jesse Haddock
Casting Associate:
Alexa Pereira
Co-Executive Producer:
Jordanna Guarino
Colorist:
Anthony Perez
Costume Design:
Lynette Meyer
Costume Supervisor:
Lisa Catalina
Dialogue Editor:
Justin W. Walker
Director:
Maggie Levin
Director of Photography:
Ana M. Amortegui
Dolly Grip:
Carlton Hudson
Editor:
Andrew Wesman
Yang-Hua Hu
Executive Producer:
Lauren Downey
Alexander Koehne
Olga Hamlet
C. Robert Cargill
Scott Derrickson
Jason Blum
Extras Casting:
Christina Colucci
Tyler Fahringer
First Assistant Accountant:
Debra Woods Kaufmann
First Assistant Camera:
Gavin Alcott
First Assistant Director:
Duncan White
Foley Artist:
Jonathan Bruce
Foley Editor:
Julia Huberman
Jonathan Bruce
Amy Barber
Foley Mixer:
Amy Barber
Gaffer:
Sean Smith
Graphic Designer:
Brandon Mahlberg
Grip:
Brendan Riel
Warren Miley
Gary Harvill
Annie Dean-Ganek
Brandy Tannahill
Key Grip:
Josh Smith
Key Hair Stylist:
Roxana Grande
Key Makeup Artist:
Abigail Bradley
Leadman:
Scott Burnett
Legal Services:
James C. Finney
Dan Stutz
Lighting Technician:
Rey Fortanel
Noah Cruz
Line Producer:
Scott Fort
Location Manager:
Tawny Fernandez
Loop Group Coordinator:
Linda Ljoka
Frank Sharp
Makeup Artist:
Laura Lieffring
Makeup Department Head:
Devan Weitzman
Mix Technician:
Adam Carl
Music Editor:
Mark Skillingberg
Music Producer:
Keeley Bumford
Music Supervisor:
Lindsay Wolfington
On Set Dresser:
Melissa Lyon
Online Editor:
Jose Favela
Original Music Composer:
Mark Hadley
Keeley Bumford
Painter:
Adrian Beasley
Samantha Gerlach
Joe Moraga
Playback Coordinator:
Brad Bryan
Post Producer:
Jennifer Willens
Post-Production Manager:
Jennifer Krueger
Producer:
Tevin Adelman
Production Accountant:
Don Napoli
Production Assistant:
Alfredo Samaniego
Production Design:
Eve McCarney
Production Supervisor:
Joe Aliberti
Property Master:
Mitchell McKay
Props:
Walker Wesley
Script Coordinator:
Nate Levy
Second Assistant Camera:
Timothy Tillman
Second Assistant Director:
Oscar Zisman
Set Decoration:
Sandra Skora
Set Decoration Buyer:
Payton Stafford
Set Dresser:
Mauricio Harrie
Set Medic:
Rodney Fuentez
Sound Designer:
Roland N. Thai
Sound Mixer:
Marti D. Humphrey
Gabriel J. Serrano
Eric Enroth
Special Effects:
Arthur Haynes
Special Effects Coordinator:
Simon White
Still Photographer:
Robb Rosenfeld
Stunt Coordinator:
Tim Mikulecky
Supervising Sound Editor:
Roland N. Thai
Visual Effects Art Director:
Damian Drago
Visual Effects Supervisor:
Chris Haney
Writer:
Maggie Levin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.