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Tin Velasco

Alias:
Ma Cristina Velasco

Biography from TheMovieDB

Tin Velasco is a film and advertising production producer. A decade of independent film production experience has shaped her as a producer dedicated to pushing the boundaries of Philippine cinema by amplifying women and queer filmmakers.  Born and raised in the picturesque towns of Iloilo and Pampanga, tin draws her film collaborations from the rich cultural heritage and natural beauty that surrounds her. tin’s commitment to diversity and inclusion in the industry is reflected in her collaboration in the production of Internationally acclaimed films like Leonor Will Never Die, Excuse me miss, miss, miss (Sundance), Primetime Mother (TIFF), and John Denver Trending (BIFF), ensuring that Filipino stories are told from a multitude of voices.  Her determination to showcase the Philippines' unique stories and talents on a global stage has been the driving force behind her burgeoning career.

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Additional information:

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Film Performances

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Film Production

Assistant Director:
2018  The Sweet Taste of Salted Bread and Undies
2019  Marching On: The Story of Bishop Richard Mickley

Director:
2014  Jona
2015  Bye Bye Bituin
2018  The Sweet Taste of Salted Bread and Undies
2019  Marching On: The Story of Bishop Richard Mickley

Health and Safety:
2014  Jona
2015  Bye Bye Bituin
2018  The Sweet Taste of Salted Bread and Undies
2019  Marching On: The Story of Bishop Richard Mickley
2022  Ang Paboritong Pinggan ni Nanay
2022  No More Crying 毋通閣吼咯

Line Producer:
2014  Jona
2015  Bye Bye Bituin
2018  The Sweet Taste of Salted Bread and Undies
2019  Marching On: The Story of Bishop Richard Mickley
2021  Dandansoy
2022  Ang Paboritong Pinggan ni Nanay
2022  Life On Moon
2022  No More Crying 毋通閣吼咯
2023  #teen
2023  Primetime Mother
2023  The Gospel of the Beast

Location Manager:
2014  Jona
2015  Bye Bye Bituin
2018  The Sweet Taste of Salted Bread and Undies
2019  Marching On: The Story of Bishop Richard Mickley
2020  So Long, So Long To Everyone We Know
2021  Dandansoy
2022  Ang Paboritong Pinggan ni Nanay
2022  Life On Moon
2022  No More Crying 毋通閣吼咯
2023  #teen
2023  Primetime Mother
2023  The Gospel of the Beast

Producer:
2014  Jona
2015  Bye Bye Bituin
2016  Padating
2018  The Sweet Taste of Salted Bread and Undies
2019  Marching On: The Story of Bishop Richard Mickley
2020  So Long, So Long To Everyone We Know
2021  Dandansoy
2022  Ang Paboritong Pinggan ni Nanay
2022  Life On Moon
2022  No More Crying 毋通閣吼咯
2023  #teen
2023  A Catholic Schoolgirl
2023  Primetime Mother
2023  The Gospel of the Beast

Production Manager:
2014  Jona
2015  Bye Bye Bituin
2016  Padating
2018  The Sweet Taste of Salted Bread and Undies
2019  Marching On: The Story of Bishop Richard Mickley
2020  So Long, So Long To Everyone We Know
2021  Dandansoy
2021  Ero
2022  Ang Paboritong Pinggan ni Nanay
2022  Leonor Will Never Die
2022  Life On Moon
2022  No More Crying 毋通閣吼咯
2023  #teen
2023  A Catholic Schoolgirl
2023  Primetime Mother
2023  The Gospel of the Beast

Second Assistant Director:
2014  Jona
2015  Bye Bye Bituin
2016  Gravity
2016  Padating
2018  The Sweet Taste of Salted Bread and Undies
2019  Marching On: The Story of Bishop Richard Mickley
2020  So Long, So Long To Everyone We Know
2021  Dandansoy
2021  Ero
2022  Ang Paboritong Pinggan ni Nanay
2022  Leonor Will Never Die
2022  Life On Moon
2022  No More Crying 毋通閣吼咯
2023  #teen
2023  A Catholic Schoolgirl
2023  Primetime Mother
2023  The Gospel of the Beast

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.