Ang Paboritong Pinggan ni Nanay (2022) [N/A]

Release Date:
June 25, 2022

Original Title:
Ang Paboritong Pinggan ni Nanay

Genres:
Drama | Family

Production Companies:
Film Development Council of the Philippines
Yatu Film Productions

Production Countries:
Philippines

Ratings / Certifications:
 N/A

Runtime: 8

After a loss in the family, three siblings rekindle their relationship through the memories and love of their one and only Nanay.

Additional information:

The Search Form


ADR Engineer:
John Daniel Henry Buquid

Art Department Coordinator:
Tagumpay Bondoc
Romeo Doron

Assistant Camera:
John Paul Ubaldo

Assistant Director:
Mika Ancheta

BTS Photographer:
Jiro Garbes

Catering:
Ma. Theresa Lumanlan
Crystal Catu

Color Grading:
Media East

Colorist:
Dia Magsaysay

Continuity:
Bradley Jason Pantajo

Data Wrangler:
Miki Inaba

Director:
Carlo Enciso Catu

Director of Photography:
Mai Calapardo

Driver:
Romwell De Leon
Ruben Saturnino
Antonio Galinato
Michel Fortin
Kennette Pangilinan
Kevin Pangilinan
Michael Broadnax
Byron Gerald Lumanlan

Editor:
Jasper Ramon Tulabot
Mark Cyril Bautista

Electrician:
Aries Abcede Sabareza

Gaffer:
Danilo Viray

Grip:
Jepoy Tarnate
Raymart Fua
Erman Urbano
Paul Erik Sabareza

Health and Safety:
Louie Roy Catu
Tin Velasco

Line Producer:
Liya Sarmiento

Location Manager:
Red Fajardo

Location Sound Recordist:
King Raniel Catiempo

Makeup Artist:
Joerie Tacuban

Music:
Paulo Protacio

Post Production Coordinator:
Carmela Perez

Producer:
Carlo Enciso Catu

Production Assistant:
JP Rodriguez
Albert Patulot
Johnrey Omolon

Production Design:
Lars Magbanua

Production Manager:
Kyle Jumayne Francisco

Production Secretary:
Chic Cruz Mirano

Recording Supervision:
Immanuel Verona

Sound:
Promovi

Utility Sound:
Reiner Mesa

Visual Effects:
Orlean Joseph Tan

Wardrobe Assistant:
Junie Desuyo

Wardrobe Master:
Loreta Castillo

Writer:
Carlo Enciso Catu

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.