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Film Production

Additional Editor:
2018  Rage

Assistant Director:
2018  Rage
2018  The Black Book

Co-Director:
2018  Rage
2018  The Black Book
2025  Off the Beaten Track

Editor:
2006  Body Rice
2008  Do outro lado do mundo
2008  O Tapete Voador
2009  Two Women
2011  A Morte de Carlos Gardel
2012  Passion
2012  Photo
2014  O Meu Outro País
2015  At an Uncertain Time
2016  An Outpost of Progress
2016  Armpits
2017  Cidade
2018  Rage
2018  Ruth
2018  The Black Book
2019  I am The Author Of My Name Mia Couto
2020  Moral Order
2021  O Tesouro
2022  João Ayres, an Independent Painter
2022  The Child
2024  The Shrovetide Devil
2025  Off the Beaten Track

First Assistant Director:
2006  Body Rice
2008  Do outro lado do mundo
2008  O Tapete Voador
2009  Two Women
2011  A Morte de Carlos Gardel
2012  Passion
2012  Photo
2014  O Meu Outro País
2015  At an Uncertain Time
2016  An Outpost of Progress
2016  Armpits
2017  Cidade
2018  Rage
2018  Ruth
2018  The Black Book
2019  I am The Author Of My Name Mia Couto
2020  Moral Order
2021  O Tesouro
2022  João Ayres, an Independent Painter
2022  The Child
2024  The Shrovetide Devil
2025  Off the Beaten Track

Script Supervisor:
2006  Body Rice
2008  Do outro lado do mundo
2008  O Tapete Voador
2009  Two Women
2011  A Morte de Carlos Gardel
2012  Lines of Wellington
2012  Passion
2012  Photo
2014  Casanova Variations
2014  O Meu Outro País
2015  At an Uncertain Time
2016  An Outpost of Progress
2016  Armpits
2017  Cidade
2018  Rage
2018  Ruth
2018  The Black Book
2019  Color Out of Space
2019  I am The Author Of My Name Mia Couto
2020  Moral Order
2021  O Tesouro
2022  João Ayres, an Independent Painter
2022  The Child
2024  The Shrovetide Devil
2025  Off the Beaten Track

Click the heading above to show or hide the list.

TV Production

Script Supervisor:
2011  Mysteries of Lisbon

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.