A work in constant progress (and occasional regress).
Release Date:
September 10, 2020
Original Title:
Ordem Moral
Genres:
Drama
Production Companies:
APM - Ana Pinhão Moura Produções
Alfama Films
Leopardo Filmes
Production Countries:
Portugal
Ratings / Certifications:
BR: 16
Runtime: 101
In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.
Art Direction:
Paula Szabo
Assistant Art Director:
Miguel de Jesus
Pedro Ferro
Mariana Moura Machado
Assistant Costume Designer:
Veronica D'Orey
Assistant Makeup Artist:
Sofia Queirós
Assistant Unit Manager:
Lopo Castelo Branco
Associate Producer:
Ana Pinhão Moura
Boom Operator:
David Badalo
Colorist:
Nuno Garcia
Costume Designer:
Lucha d'Orey
Director:
Mário Barroso
Director of Photography:
Mário Barroso
Editor:
Paulo MilHomens
Electrician:
Miguel Barbosa
Ana Mariz
Executive Producer:
Ana Pinhão Moura
First Assistant Camera:
Iana Ferreira
First Assistant Director:
Paulo MilHomens
Gaffer:
Carlos Melo
Graphic Designer:
Catarina Sampaio
Grip:
Carlos Melo
Hairstylist:
Celeste Ferreira
Manuela Tapadas
Key Hair Stylist:
Natália Bogalho
Key Makeup Artist:
Ana Lorena
Makeup Artist:
Patrícia Gaspar
Sónia Lisboa
Márcia Lourenço
Music:
Mário Laginha
Post Production Coordinator:
Tiago Augusto
Producer:
Paulo Branco
Production Assistant:
Madalena Fragoso
Production Manager:
Filipe Ferreira
Production Trainee:
Matilde Calado
Tiago Cena
Props:
Diego Sá
Prosthetic Makeup Artist:
Rita Anjos
Script Supervisor:
Rúben Gonçalves
Seamstress:
Maria Ivanova
Second Assistant Camera:
Luiza Cardoso
Second Assistant Director:
Raquel Teixeira
Sound:
Ricardo Leal
Sound Editor:
Pedro Góis
Sound Re-Recording Mixer:
Pedro Góis
Special Effects Makeup Artist:
Dave Bonneywell
Steadicam Operator:
Eberhard Schedl
Visual Effects:
Carlos Amaral
Writer:
Carlos Saboga
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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