A work in constant progress (and occasional regress).
Art Direction:
1990 Bad Girls from Mars
1990 Repo Jake
1991 Future Kick
1993 Percy & Thunder
1994 Oblivion
1995 Temptress
2002 Friday After Next
2008 Vacancy 2: The First Cut
2015 Secret in Their Eyes
Construction Coordinator:
1990 Bad Girls from Mars
1990 Repo Jake
1991 Dead Space
1991 Future Kick
1993 Percy & Thunder
1994 Oblivion
1995 Temptress
2002 Friday After Next
2008 Vacancy 2: The First Cut
2015 Secret in Their Eyes
Production Design:
1990 Bad Girls from Mars
1990 Repo Jake
1991 Dead Space
1991 Future Kick
1992 Final Embrace
1992 Final Judgement
1993 Percy & Thunder
1994 Oblivion
1995 Temptress
2002 Friday After Next
2008 Vacancy 2: The First Cut
2015 Secret in Their Eyes
Set Decoration:
1990 Bad Girls from Mars
1990 Repo Jake
1990 The Rain Killer
1991 Dead Space
1991 Future Kick
1992 Final Embrace
1992 Final Judgement
1993 Percy & Thunder
1994 Oblivion
1995 Temptress
2002 Friday After Next
2008 Vacancy 2: The First Cut
2015 Secret in Their Eyes
Set Designer:
1987 Street Trash
1990 Bad Girls from Mars
1990 Repo Jake
1990 The Rain Killer
1991 Dead Space
1991 Future Kick
1992 Final Embrace
1992 Final Judgement
1993 Babylon 5: The Gathering
1993 Percy & Thunder
1994 Oblivion
1995 Temptress
1996 From Dusk Till Dawn
1998 Species II
1999 8MM
1999 Blast from the Past
2001 America's Sweethearts
2002 Friday After Next
2002 Like Mike
2002 The Adventures of Pluto Nash
2008 Vacancy 2: The First Cut
2015 Secret in Their Eyes
Art Direction:
2014 Olive Kitteridge
2016 Westworld
2018 The Rookie
2019 Black Monday
Set Designer:
2014 Olive Kitteridge
2016 Westworld
2018 The Rookie
2019 Black Monday
2021 Big Shot
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.