A work in constant progress (and occasional regress).
Release Date:
July 17, 2001
Original Title:
America's Sweethearts
Alternate Titles:
La pareja del año
To zevgari tis hronias
To zevgari tis xronias
Любимцы Америки
Genres:
Comedy | Romance
Production Companies:
Columbia Pictures
Face Productions
Revolution Studios
Roth-Arnold Productions
Production Countries:
United States of America
Ratings / Certifications:
CH: 6 CZ: U DE: 12 FR: 12 GB: 12 GR: 13 HU: 18 IE: 15 JP: G PL: 18 PT: M/12 SE: 7 US: PG-13
Runtime: 102
In the midst of a nasty public breakup of married movie stars, a studio publicist scrambles to put a cap on the escalating situation as the couple's latest film has found it's only print kidnapped by the director.
ADR Editor:
Julie Feiner
Eileen Nelson
ADR Mixer:
Greg Steele
Howard London
ADR Recordist:
Diane Lucas
Accountant:
Cheryl A. Stone
Additional Construction:
Ralph Lane
Additional Photography:
Goran Pavicevic
Additional Sound Re-Recordist:
James T. Hill
Animal Wrangler:
Boone Narr
William Shane Grisco
Art Department Assistant:
Al Lewis
Rebecca Bender
Art Direction:
Chris Cornwell
Denise Dugally
Assistant Chief Lighting Technician:
Jarek Gorczycki
Assistant Costume Designer:
Deborah Hopper
Assistant Director Trainee:
Grace Liu
Assistant Editor:
Daniel Craven
Uri Katoni
Joëlle Taar
Linda Schubell-Sundlin
Roger Fenton
Assistant Location Manager:
Madeline Bell
William Jorgenson
Nancy Haecker
Assistant Production Coordinator:
Jean Nakahara
Theresa Rubino
Assistant Property Master:
Jim Stubblefield
Rachel A. Flores
Assistant Sound Editor:
Joe Schiff
Cherie Tamai
Associate Producer:
Samantha Sprecher
Best Boy Electric:
Paul Howard
Edward T. Barnes
Best Boy Grip:
Jeffrey Johnson
Ron Glenn
Bill Summers
Blake Pike
Boom Operator:
Tom Caton
CG Supervisor:
Bart Giovanetti
Camera Loader:
David A. Seekins
Camera Operator:
Rick Tiedeman
Casting:
Junie Lowry-Johnson
Libby Goldstein
Chief Lighting Technician:
Rafael E. Sánchez
Co-Producer:
Allegra Clegg
Bruce A. Block
Color Timer:
Jim Passon
Conductor:
Pete Anthony
Construction Buyer:
John McCabe
Hal Hopkins
Construction Coordinator:
David Elliott
Construction Foreman:
Michael Crowley
Costume Design:
Ellen Mirojnick
Jeffrey Kurland
Costume Supervisor:
Michael Dennison
Costumer:
Frances Vega Aubrey
Dialect Coach:
Joy Ellison
Dialogue Editor:
George H. Anderson
Carin Rogers
Director:
Joe Roth
Director of Photography:
Phedon Papamichael
Dolly Grip:
Antonio V. Garrido
Editor:
Stephen A. Rotter
Electrician:
Jeff Hall
Patrick Hoeschen
Lee Auerbach
Doug Weinmann
Lee Schmicker
Alejandro J. Castillo
Executive Producer:
Charles Newirth
Peter Tolan
First Assistant "B" Camera:
Paul Sanchez
First Assistant Camera:
Bob Hall
First Assistant Director:
Geoffrey Hansen
First Assistant Editor:
Rolf Fleischmann
Laura Lee Bong
Foley Artist:
Gary A. Hecker
Matthew Dettmann
Foley Editor:
Christine Danelski
Foley Mixer:
Lane Burch
Foley Supervisor:
Christopher Flick
Greensman:
Steve Borgese
Grip:
Zoli J. Hajdu
Ray Garcia
Hugh McCallum
Robert Small
Ron Santoyo
Hairstylist:
Karyn Huston
Bonnie Clevering
William A. Farley
Key Costumer:
Linda Henrikson
Rhona Meyers
Key Grip:
Dean M. King
Key Hair Stylist:
Kim Santantonio
Key Makeup Artist:
Cindy J. Williams
Key Rigging Grip:
Jeff Kluttz
Leadman:
Jason Bedig
Location Manager:
Liz Matthews
Location Scout:
Arlen Johnson
Steve Powell
R. Lucas Stewart
Makeup Artist:
Steve Artmont
Richard Dean
Peter Montagna
Matte Painter:
Ivo Horvat
Music Consultant:
Sandy De Crescent
Music Editor:
David Olson
Angie Rubin
Jeffrey Potokar
Music Supervisor:
Kathy Nelson
Negative Cutter:
Marlen Hill
On Set Dresser:
Phillip Thoman
Orchestrator:
Brad Dechter
Jeff Atmajian
Original Music Composer:
James Newton Howard
Other:
Chris Alvarez
Ed Regan
Richard D. Mariani
Paint Coordinator:
Chad Simpson
James Diggs
Painter:
Mitchell Hammer
Jesse Valdez
Clifton Anshanslin
Dino Hamilton
Payroll Accountant:
Michael Dorner
Post Production Supervisor:
Carey Len Smith
Producer:
Susan Arnold
Billy Crystal
Donna Roth
Production Accountant:
Michael R. Kern
Tom Dames
Katherine Dorchak
Production Coordinator:
Lisa Swain
Production Design:
Garreth Stover
Production Sound Mixer:
Robert Eber
Property Master:
Kirk Corwin
Propmaker:
Reyes Rodriguez
Rigging Gaffer:
Jeffrey P. Soderberg
Michael Ambrose
Scenic Artist:
Steven Kerlagon
Scoring Mixer:
Dennis S. Sands
Screenplay:
Billy Crystal
Peter Tolan
Script Supervisor:
Carol DePasquale
Second Assistant "B" Camera:
Daniel C. McFadden
Second Assistant Camera:
Philip Shanahan
Second Assistant Director:
Eric Tignini
Second Second Assistant Director:
Gabriel Roberto Echeverría
Set Costumer:
Robin Borman-Wizan
Sabrina Calley
Ann Culotta
Set Decoration:
Larry Dias
Set Designer:
Barbara Mesney
Colin De Rouin
Beck Taylor
Set Dresser:
Terry A. Sheffield
Set Dressing Buyer:
Shannon Hart
Sound Effects Editor:
Charles Maynes
Jonathan Klein
Sound Re-Recording Mixer:
Gary C. Bourgeois
Greg Orloff
Sound Recordist:
Dennis Johnson
Special Effects:
David Blitstein
Special Effects Makeup Artist:
Greg Cannom
Special Effects Supervisor:
Gary WM. Schaedler
Standby Painter:
Chuck Eskridge
Steadicam Operator:
Rick Tiedeman
Still Photographer:
Melinda Sue Gordon
Storyboard Artist:
David Lowery
John Coven
Stunt Coordinator:
Gary Combs
Stunts:
Sandy Berumen
Supervising ADR Editor:
Renée Tondelli
Supervising Music Editor:
Jim Weidman
Supervising Sound Editor:
David Giammarco
Swing:
Dale E. Anderson
Brent A. Blom
Gary A. Brewer
Mark Rodriguez
Brooke Sartorius
Transportation Captain:
Kirk A. Holland
Transportation Co-Captain:
Randy Cantor
Rodney Lee Bennett
Transportation Coordinator:
David B. Clark
Jeffery M. Zwahlen
Joel Marrow
Unit Production Manager:
Allegra Clegg
Unit Publicist:
Jane E. Russell
Utility Sound:
Rob Scott
Video Assist Operator:
Bradford Ralston
Visual Effects Coordinator:
Ken Ralston
Visual Effects Editor:
Guy T. Wiedmann
Visual Effects Producer:
Debbie Denise
Dawn Guinta
Visual Effects Production Manager:
Jodi Birdsong
Visual Effects Supervisor:
Carey Grant Villegas
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.