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Danny Freemantle

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Film Production

Assistant Sound Editor:
2007  The Golden Compass
2010  Never Let Me Go

Sound Designer:
2007  The Golden Compass
2010  Never Let Me Go
2014  The Theory of Everything

Sound Editor:
2007  The Golden Compass
2010  Never Let Me Go
2014  The Theory of Everything
2018  Bird Box
2020  Rebecca
2022  Men

Sound Effects Editor:
2007  The Golden Compass
2010  Never Let Me Go
2012  Britain in a Day
2012  Dredd
2013  Gravity
2013  How I Live Now
2013  The Book Thief
2014  Paddington
2014  The Theory of Everything
2015  A Tale of Love and Darkness
2015  Everest
2015  Ex Machina
2015  Steve Jobs
2016  Fantastic Beasts and Where to Find Them
2016  Norman: The Moderate Rise and Tragic Fall of a New York Fixer
2017  T2 Trainspotting
2018  7 Days in Entebbe
2018  Adrift
2018  Annihilation
2018  Bird Box
2019  Yesterday
2020  Emma.
2020  Minamata
2020  Misbehaviour
2020  Rebecca
2020  The Old Guard
2021  Locked Down
2022  Men
2023  Sharper
2024  Civil War

Click the heading above to show or hide the list.

TV Production

Sound Effects Editor:
2020  Devs

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.