A work in constant progress (and occasional regress).
Release Date:
January 27, 2017
Original Title:
T2 Trainspotting
Alternate Titles:
T2
T2 (Trainspotting 2)
T2 Trainspotting: La vida en el abismo
T2: Trainspotting
T2: Trainspotting 2
Trainspotting 2
Trainspotting 2 - T2
T²
На голці 2
На игле 2
Т2 Трейнспоттинг (На игле 2)
Т2 Трейнспоттінг
猜火車2
Genres:
Comedy | Drama
Production Companies:
Cloud Eight Films
Creative Scotland
DNA Films
Decibel Films
Film4 Productions
LStar Capital
TriStar Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: R 18+ BR: 16 CH: 18 CZ: 15+ DE: 16 DK: 15 ES: 16 FR: U GB: 18 HU: 18 IE: 18 IT: T JP: R18+ LT: N-16 NL: 12 PL: 18 RO: 18+ RU: 18+ SK: 15 US: R
Runtime: 117
After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud and Begbie.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Alastair Rae
ADR Mixer:
Mark Appleby
Mark DeSimone
Chris Navarro
Adaptation:
John Hodge
Armorer:
Jim Elliott
Art Department Assistant:
Alice Walker
Art Direction:
Christopher Wyatt
Adam Squires
Assistant Art Director:
Lorna Houlihan
Assistant Set Decoration:
Natalie Astridge
Camera Trainee:
Scott Hunter
Thomas Bryan
Casting:
Gail Stevens
Casting Associate:
Rebecca Farhall
Concept Artist:
Elo Soode
Conceptual Design:
Elo Soode
Costume Design:
Rachael Fleming
Stephen Noble
Crowd Assistant Director:
Katharine K.K. Kennedy
Dialogue Editor:
James Wichall
Emilie O'Connor
Digital Imaging Technician:
Dan Carling
Director:
Danny Boyle
Director of Photography:
Anthony Dod Mantle
Driver:
Martin Auld
Andy Finnie
Stuart W. Fraser
Editor:
Jon Harris
Executive Producer:
Allon Reich
Irvine Welsh
Facial Setup Artist:
Chris Lyons
Fight Choreographer:
Julian Spencer
First Assistant "A" Camera:
John Watters
First Assistant "B" Camera:
Derrick Peters
First Assistant Director:
David Gilchrist
First Assistant Sound Editor:
Colin Gregory
Foley Artist:
Peter Burgis
Zoe Freed
Foley Editor:
Linda Brenon
Jemma Riley-Tolch
Foley Mixer:
Glen Gathard
Gaffer:
Thomas Neivelt
Hair Designer:
Ivana Primorac
Hairstylist:
Kamen Glover
Heather Manson
Makeup Artist:
Kamen Glover
Heather Manson
Novel:
Irvine Welsh
Original Music Composer:
Rick Smith
Painter:
Katie Johnston
Producer:
Bernard Bellew
Danny Boyle
Christian Colson
Andrew Macdonald
Production Accountant:
Neil Cairns
Production Design:
Patrick Rolfe
Mark Tildesley
Production Manager:
Claire Campbell
Production Sound Mixer:
Colin Nicolson
Property Master:
John Gorman
Scenic Artist:
Emer O'Sullivan
Zoe Wight
Screenplay:
John Hodge
Script Supervisor:
Sylvia Parker
Second Assistant "A" Camera:
Dan Henderson
Second Assistant "B" Camera:
Chris Maxwell
Second Assistant Director:
Michael Queen
Second Unit Director:
Garry Fraser
Second Unit First Assistant Director:
Zoe Liang
Harry Boyd
Set Decoration:
Orlin Grozdanov
Véronique Melery
Set Decoration Buyer:
Janice Macrae
Sound:
Glenn Freemantle
Sound Designer:
Glenn Freemantle
Niv Adiri
Ben Barker
Sound Effects Editor:
Danny Freemantle
Sound Re-Recording Mixer:
Niv Adiri
Special Effects Makeup Artist:
Chris Lyons
Nathaniel De'Lineadeus
Standby Art Director:
Arwel Evans
Steadicam Operator:
Alastair Rae
Still Photographer:
Jaap Buitendijk
Graeme Hunter
Storyboard:
Brendan Houghton
Stunt Coordinator:
Julian Spencer
Stunt Double:
Chey Anich
Lee Moulton-Davies
Stunt Driver:
Robert Hladik
Stunts:
Erol Mehmet
Rob Pavey
Supervising Sound Editor:
Glenn Freemantle
Tattoo Designer:
Lee Gren
Third Assistant Director:
Alex McKay
Transportation Captain:
Russell D. Equi
Transportation Coordinator:
Amy MacIlraith
Video Assist Operator:
Sean Walker
Wigmaker:
Sarah Weatherburn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.