Louise Runge

Louise Runge is an Enflish film producer. She holds a Bachelor of Arts degree in American and Commonwealth Arts from the University of Exeter, and a Master of Arts degree in Film and Television Production from the University of Bristol. From 2004 to 2006, she worked as a Post Production Manager for the Los Angeles-based Yari Film Group. From there, she was recruited by Upload FIlms where she post supervised nine films. In 2008, she co-founded with Samantha Housman an independent production company, ONEZERO Films.

Additional information:

The Search Form


Co-Producer:
2002  Turn of Faith
2016  Captain Fantastic
2017  The Bad Batch

Executive Producer:
2002  Turn of Faith
2014  Ride
2016  Captain Fantastic
2017  The Bad Batch

Post Production Coordinator:
2002  Turn of Faith
2004  Riding the Bullet
2005  The Sandlot 2
2014  Ride
2016  Captain Fantastic
2017  The Bad Batch

Post Production Supervisor:
2002  Turn of Faith
2004  Riding the Bullet
2005  The Sandlot 2
2007  Even Money
2009  Universal Soldier: Regeneration
2010  Brotherhood
2010  Sympathy for Delicious
2012  Chernobyl Diaries
2013  Dead in Tombstone
2013  Lost for Life
2014  Ride
2016  Captain Fantastic
2017  The Bad Batch

Post-Production Manager:
2002  Turn of Faith
2004  Riding the Bullet
2005  The Matador
2005  The Sandlot 2
2007  Even Money
2009  Universal Soldier: Regeneration
2010  Brotherhood
2010  Sympathy for Delicious
2012  Chernobyl Diaries
2013  Dead in Tombstone
2013  Lost for Life
2014  Ride
2016  Captain Fantastic
2017  The Bad Batch

Producer:
2002  Turn of Faith
2004  Riding the Bullet
2005  The Matador
2005  The Sandlot 2
2007  Even Money
2009  Universal Soldier: Regeneration
2010  Brotherhood
2010  Sympathy for Delicious
2012  28 Hotel Rooms
2012  Chernobyl Diaries
2013  Dead in Tombstone
2013  Lost for Life
2013  Sparrows Dance
2014  Glass Chin
2014  Ride
2016  Captain Fantastic
2017  The Bad Batch
2018  Anything
2018  Eve
2019  Watson

Co-Producer:
2022  I Love That for You

Post Producer:
2021  UFO
2022  I Love That for You

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.