The Bad Batch (2017) [R]

Release Date:
June 23, 2017

Original Title:
The Bad Batch

Alternate Titles:
Amor Carnal
Amor carnal
Amor carnal (The Bad Batch)
Amores Canibais
Amores Caníbales
The Bad Batch:2017
マッドタウン:2017
生存者
버려진 자들의 땅

Genres:
Drama | Horror | Science Fiction

Production Companies:
Annapurna Pictures
Human Stew Factory
Vice Studios

Production Countries:
United States of America

Ratings / Certifications:
BR: 18  DE: 18  GB: 15  JP: R18+  PL: 16  PT: M/18  US: R 

Runtime: 119

Don’t play with your food.

Arlen is sent to a fenced-off wasteland where undesirables are exiled to when she is kidnapped by a group of cannibals. She escapes and ends up on a journey to reunite a missing girl with her father.

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Art Direction:
Sean Brennan

Assistant Art Director:
Erin E. Riegel

Casting:
Kim Davis-Wagner
Justine Arteta

Co-Producer:
Samantha Housman
Louise Runge
Jillian Longnecker
Tony Gardner
Samantha Scher
Shahrzad Davani

Consulting Editor:
Curtiss Clayton

Costume Design:
Natalie O'Brien

Costume Supervisor:
Alma Magaña

Director:
Ana Lily Amirpour

Director of Photography:
Lyle Vincent

Editor:
Alex O'Flinn

Executive Producer:
Shane Smith
Eddy Moretti

First Assistant Director:
Shahrzad Davani

Hairstylist:
Kimberly Carlson

Line Producer:
Tracey Landon

Makeup Artist:
Michelle Chung

Makeup Department Head:
Lisa Layman

Makeup Effects Designer:
Tony Gardner
Hugo Villasenor

Music Supervisor:
Andrea von Foerster

Other:
Aaron A. Goffman

Producer:
Megan Ellison
Sina Sayyah
Danny Gabai

Production Design:
Brandon Tonner-Connolly

Production Supervisor:
Wednesday Standley

Property Master:
Aaron A. Goffman

Script Supervisor:
Elena Antzon

Second Assistant Director:
Kamen Delkovsky

Set Decoration:
Lisa Son

Sound Effects Editor:
James Miller
Bryan Parker

Sound Mixer:
Phillip Bladh

Sound Re-Recording Mixer:
Jason Gaya

Stunt Coordinator:
Malosi Leonard

Supervising Sound Editor:
Chris Terhune

Unit Production Manager:
Tracey Landon
Geoffrey Quan

Visual Effects Producer:
Michael Caplan

Visual Effects Supervisor:
Dan Schmit

Writer:
Ana Lily Amirpour

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