Josef Vaniš (1927-2009)

Gallery Unavailable

Birthplace:
Vysoký Chlumec

Born:
January 6, 1927

Died:
February 12, 2009

Additional information:

The Search Form


Camera Department Manager:
1988  Dobří holubi se vracejí

Camera Operator:
1950  Gigant
1979  No Magic from Tomorrow
1988  Dobří holubi se vracejí

Cinematography:
1950  Gigant
1979  No Magic from Tomorrow
1988  Dobří holubi se vracejí
1994  Angelic Eyes

Director:
1950  Gigant
1979  No Magic from Tomorrow
1984  ...and again that Lucy!
1988  Dobří holubi se vracejí
1994  Angelic Eyes

Director of Photography:
1950  Gigant
1956  Crooked Mirror
1956  The Road Leads to Tibet
1957  Escape
1958  Clouds of Glass
1958  Ze soboty na neděli
1959  Life for Jan Kaspar
1960  U nás v Mechově
1961  Ledoví muži
1962  Akce Kalimantan
1962  Bílá oblaka
1963  Vertigo
1964  Kdy brečí muži
1964  The High Wall
1964  The Hope
1965  Tales About Children
1966  The Pipes
1966  Škola hříšníků
1967  Dům ztracených duší
1967  Grandpa, Kylian and I
1968  Dialogue 20-40-60
1968  I, Justice
1969  Hvězda
1970  Angels Who Burn Their Wings
1970  Proměny nože
1970  Seventeen and Anxious
1971  Carlsbad Ponies
1972  Oasis
1972  Velikonoční dovolená
1973  Dvě věci pro život
1973  Známost sestry Aleny
1973  Zpívající film
1976  Anna, sestra Jany
1976  Good Day, Town
1976  One Silver Piece
1977  Noc klavíristy
1978  Alarm in the Clouds
1978  Tichý Američan v Praze
1979  Death of Hitch-Hikers
1979  Leť, ptáku leť!
1979  No Magic from Tomorrow
1981  Nevěsta k zulíbání
1982  Zelená vlna
1984  ...and again that Lucy!
1984  Levé křídlo
1984  Lucy, the Menace of Street
1984  Modré z nebe
1984  Radical Cut
1985  How Poets Are Losing Their Illusions
1985  Láska s vůní pryskyřice
1988  Dobří holubi se vracejí
1989  Vážení přátelé, ano
1994  Angelic Eyes

Director of Photography:
1970  Pan Tau
1980  Luzie, der Schrecken der Straße

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.