A work in constant progress (and occasional regress).
Release Date:
September 10, 1971
Original Title:
Karlovarští poníci
Alternate Titles:
Angelika, Kaja und Karlsbader Ponys
Genres:
Comedy | Family
Production Companies:
Filmové studio Barrandov
WDR
Production Countries:
Czechoslovakia | Germany
Ratings / Certifications:
N/A
Runtime: 62
Angelika, a ten years old daughter of a spa visitor Bachmann is terribly bored in Karlovy Vary spa. Her father enjoys different spa procedures, trying to lose some weight, but the little girl feels to be only waiting for something to enjoy. Moreover, she cannot speak any Czech unlike her father. Kája, a son of the hotel receptionist Vlasta, attempts to amuse her despite he cannot speak German. Both children make friends although there is the language barrier.
Assistant Camera:
Bohumil Vodička
Assistant Director:
Dagmar Štursová
Assistant Production Manager:
Tomáš Gabriss
Camera Operator:
Václav Helliman
Clapper Loader:
Alexandra Tachezyová
Conductor:
František Belfín
Costume Design:
Jan Kropáček
Costumer:
Eliška Hofová
Creative Producer:
Ota Hofman
Director:
Jiří Hanibal
Director of Photography:
Josef Vaniš
Dramaturgy:
Marcela Pittermannová
Editor:
Zdeněk Stehlík
Executive Producer:
Jan Klement
First Assistant Director:
Karel Kovář
Makeup & Hair:
Stanislav Petřek
Anna Dolejšová
Original Music Composer:
Jiří Sternwald
Production Design:
Bohuslav Kulič
Production Manager:
Petr Čapek
Rolf Kralovitz
Screenplay:
Ota Hofman
Paul Schallück
Set Decoration:
Bedřich Čermák
Miroslav Kupsa
František Straka
Short Story:
Paul Schallück
Sound:
František Černý
Still Photographer:
Jindřich Panáček
Unit Production Manager:
Milana Melcerová
František Štěpánek
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.