Marcos Bertoni

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Iconoclastic and indomitable collage artist, Marcos Bertoni has been working on his films –based on subversion and humor banking since he was 18 years old. A multifaceted person, discovered by many people thanks to the movie Avanti Pópolo (Michael Wahrmann, 2012) , is not only a filmmaker, but an architect, sculptor, writer, amateur footballer and a specialist in visual effects for film and TV: he makes the models and mock-ups, the «fake food» of the ads, and has also built objects such as wooden bicycles or reproductions of instruments of the Chinese opera. Bertoni began making films in the late ’70s, driven by the fascination of the projected images and the magic resulting from the contact with celluloid, making films of double and sharp political sense.

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Cinematography:
1983  Revolução das Massas

Director:
1983  Revolução das Massas
1986  Sangue de tatu
2003  Cocô preto

Writer:
1983  Revolução das Massas
1986  Sangue de tatu
2003  Cocô preto

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.