A work in constant progress (and occasional regress).
Release Date:
June 12, 2014
Original Title:
Avanti Popolo
Genres:
Drama
Production Companies:
Dezenove Som e Imagem
FiGa Films
Sancho Filmes
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 72
Through the recovery of found Super-8mm footage captured by his brother during the 70´s dictatorship, André tries to revive the memories of his father, who’s been waiting for his missing son for over 30 years.
Additional Director of Photography:
Kauê Zilli
Art Direction:
Ana Paula Cardoso
Costume Design:
Ana Paula Cardoso
Dialogue Editor:
Fernando Z. Higa
Director:
Michael Wahrmann
Director of Photography:
Rodrigo Pastoriza
Editor:
Ricardo Alves Jr.
Fellipe Barbosa
Executive Producer:
Renata Moura
Maria Ionescu
Producer:
Sara Silveira
Screenplay:
Michael Wahrmann
Second Unit Director of Photography:
Bruno Risas
Kauê Zilli
Sound Designer:
Daniel Turini
Fernando Henna
Sound Director:
Michael Wahrmann
Sound Editor:
Tales Manfrinato
Sound Effects Editor:
Bernardo Marquez
Sound Mixer:
Fernando Russo
Sound Re-Recording Assistant:
Raul Jooken Baptista
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.