A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
July 4, 1960
Anton Sanko is a composer, orchestrator and producer born in New York City. He has been writing music for films since 1991.
Additional Music:
1997 Subway Stories
Music:
1994 One Foot on a Banana Peel, the Other Foot in the Grave: Secrets from the Dolly Madison Room
1996 An Occasional Hell
1997 Before Women Had Wings
1997 Subway Stories
2001 Scotland, PA
2005 One Last Thing...
2007 Delirious
2008 Fab Five: The Texas Cheerleader Scandal
2008 Spooked
2010 Rabbit Hole
2012 The Possession
2013 Ring of Fire
2014 Jessabelle
2014 The Devil's Hand
2015 E.O. Wilson – Of Ants and Men
2017 Battle of the Swamp Dragons
2020 The Boy Behind The Door
Original Music Composer:
1991 Women & Men 2: In Love There Are No Rules
1992 Cousin Bobby
1994 One Foot on a Banana Peel, the Other Foot in the Grave: Secrets from the Dolly Madison Room
1995 Live Nude Girls
1995 Party Girl
1996 An Occasional Hell
1996 Ripe
1996 Sex and the Other Man
1997 Before Women Had Wings
1997 Love Always
1997 Subway Stories
1998 Strangeland
2001 Scotland, PA
2004 Saving Face
2005 One Last Thing...
2005 Trump Unauthorized
2007 Delirious
2007 Matters of Life & Dating
2008 Fab Five: The Texas Cheerleader Scandal
2008 Spooked
2009 Handsome Harry
2010 Life in Flight
2010 Rabbit Hole
2012 The Possession
2013 Nurse 3-D
2013 Ring of Fire
2014 Jessabelle
2014 Ouija
2014 The Devil's Hand
2015 Bloodsucking Bastards
2015 E.O. Wilson – Of Ants and Men
2015 Raiders!: The Story of the Greatest Fan Film Ever Made
2015 Visions
2017 Battle of the Swamp Dragons
2017 Jackals
2018 Amanda
2018 The Seagull
2019 Fractured
2020 The Blech Effect
2020 The Boy Behind The Door
2020 The Half of It
2021 Single All the Way
2022 The Passengers of the Night
2024 The Silent Hour
Writer:
1991 Women & Men 2: In Love There Are No Rules
1992 Cousin Bobby
1994 One Foot on a Banana Peel, the Other Foot in the Grave: Secrets from the Dolly Madison Room
1995 Live Nude Girls
1995 Party Girl
1996 An Occasional Hell
1996 Ripe
1996 Sex and the Other Man
1997 Before Women Had Wings
1997 Love Always
1997 Subway Stories
1998 Strangeland
2001 Scotland, PA
2004 Saving Face
2005 One Last Thing...
2005 Trump Unauthorized
2007 Delirious
2007 Matters of Life & Dating
2008 Fab Five: The Texas Cheerleader Scandal
2008 Spooked
2009 Handsome Harry
2010 Life in Flight
2010 Rabbit Hole
2012 The Possession
2013 Nurse 3-D
2013 Ring of Fire
2014 Jessabelle
2014 Ouija
2014 The Devil's Hand
2015 Bloodsucking Bastards
2015 E.O. Wilson – Of Ants and Men
2015 Raiders!: The Story of the Greatest Fan Film Ever Made
2015 Visions
2017 Battle of the Swamp Dragons
2017 Jackals
2018 Amanda
2018 The Seagull
2019 Fractured
2020 The Blech Effect
2020 The Boy Behind The Door
2020 The Half of It
2021 Single All the Way
2022 The Passengers of the Night
2024 The Silent Hour
Original Music Composer:
2016 The Greeks
2018 The Romanoffs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.