The Half of It (2020) [PG-13]

Release Date:
May 1, 2020

Original Title:
The Half of It

Alternate Titles:
Bir Bilsen
Conquista a medias
Det er bare fornavnet
Ha tudnád
Kdybys jen tušil
L'altra metà
Một Nửa Chân Thành
Nur die halbe Geschichte
Se Tu Soubesses...
Si supieras
Si tu savais
Tietäisitpä vain
Você Nem Imagina
Więcej niż myślisz
Δεν Έχεις Ιδέα
Половина всего
Половината от него
ハーフ・オブ・イット: 面白いのはこれから
校园情圣
真心半解
青春未知數

Genres:
Comedy | Drama | Romance

Production Companies:
Likely Story

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  ES: 7  HU: 16  PL: 16  PT: M/6  SG: M18  US: PG-13 

Runtime: 104

A different kind of love story.

Shy, straight-A student Ellie is hired by sweet but inarticulate jock Paul, who needs help wooing the most popular girl in school. But their new and unlikely friendship gets tricky when Ellie discovers she has feelings for the same girl.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Mixer:
Bobby Johanson
Steve Borne

ADR Recordist:
Michael Rivera

ADR Voice Casting:
Dann Fink
Bruce Winant

Art Direction:
Jasmine Cho

Assistant Costume Designer:
Holly Pierson

Assistant Property Master:
John Nunn

Assistant Set Decoration:
Cheyenne Ford

Best Boy Grip:
Roberto Pierson
James Wilsey-Murphy

Boom Operator:
Anguibe Guindo

Camera Operator:
Kyle Wullschleger

Casting:
Leslie Woo
Rori Bergman
Jeanne McCarthy

Casting Assistant:
Elizabeth Valenti
Emily Grill

Casting Associate:
Dayna Katz

Co-Producer:
David Bausch

Construction Coordinator:
Richard Hebrank

Costume Design:
Vicki Farrell

Costume Supervisor:
Amy Fox

Digital Imaging Technician:
Jaime Chapin

Director:
Alice Wu

Director of Photography:
Greta Zozula

Dolly Grip:
Don Cerrone

Editor:
Ian Blume
Lee Percy

Executive Producer:
Gregory Zuk
Erica Matlin

Extras Casting:
Kristian Sorge
Lucy Pho

First Assistant Accountant:
Alexis M. Steinbach

First Assistant Director:
Adam Escott

First Assistant Editor:
Jake Lemmen

Foley Mixer:
João Galvão

Gaffer:
Noah Chamis

Graphic Designer:
Nneka Bennett

Grip:
Anthony Stracquadanio
Alicia McDaniel
Igor Ibradzic
John Blazzi

Hair Department Head:
Robert Lugo

Key Grip:
Gregory Cahill

Key Hair Stylist:
Gladys Casiano

Key Makeup Artist:
Diane Calfee

Leadman:
Ryan Isenhart

Location Manager:
Kurt Enger

Makeup Department Head:
Tricia Heine

Music Editor:
Suzana Peric
John Carbonara

Music Supervisor:
Tracy McKnight

Original Music Composer:
Anton Sanko

Post Production Coordinator:
Amanda Dudzinski

Post Production Supervisor:
Rachel Jablin

Producer:
Alice Wu
M. Blair Breard
Anthony Bregman

Production Accountant:
Jenny Lovin

Production Design:
Sue Chan

Production Office Coordinator:
Amry Landsberg

Production Sound Mixer:
Justin Gray

Production Supervisor:
Jenny Lovin

Property Master:
Michael Aitken

Script Supervisor:
Sam Evoy

Second Assistant Director:
Nick Vanderpool

Set Decoration:
Roland Trafton

Set Decoration Buyer:
Sean Engvold

Set Dresser:
Brandon Knight
Aaron Schraeter
Avi Schraeter
Thorstein Foss
Minna Moily

Sound Effects Editor:
Emmett Smith

Sound Re-Recording Mixer:
Peter Waggoner

Steadicam Operator:
Kyle Wullschleger

Still Photographer:
K.C. Bailey

Stunt Coordinator:
Christopher Place

Stunts:
Nico Coucke
Riley Barnes
Drew Reade
Stephanie Vovou

Supervising Dialogue Editor:
Branka Mrkic

Supervising Sound Editor:
Steve Borne

Transportation Captain:
Joaquin Liddiard

Transportation Co-Captain:
Jerry Malinaric

Unit Production Manager:
M. Blair Breard

Writer:
Alice Wu

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.