A work in constant progress (and occasional regress).
Director:
1988 You Can't Hurry Love
1989 Limit Up
1995 The Point of Betrayal
1997 Cannes Man
2000 Camera
2004 Tibetan Refugee
2006 Clones at Greaser's Palace
2012 Flipside: A Journey Into the Afterlife
???? Video Valentino
Original Music Composer:
1988 You Can't Hurry Love
1989 Limit Up
1995 The Point of Betrayal
1997 Cannes Man
2000 Camera
2004 Tibetan Refugee
2006 Clones at Greaser's Palace
2012 Flipside: A Journey Into the Afterlife
???? Video Valentino
Production Assistant:
1982 Personal Best
1988 You Can't Hurry Love
1989 Limit Up
1995 The Point of Betrayal
1997 Cannes Man
2000 Camera
2004 Tibetan Refugee
2006 Clones at Greaser's Palace
2012 Flipside: A Journey Into the Afterlife
???? Video Valentino
Screenplay:
1982 Personal Best
1987 Three for the Road
1988 You Can't Hurry Love
1989 Limit Up
1995 The Point of Betrayal
1997 Cannes Man
2000 Camera
2004 Tibetan Refugee
2006 Clones at Greaser's Palace
2006 My Bollywood Bride
2012 Flipside: A Journey Into the Afterlife
???? Video Valentino
Story:
1982 Personal Best
1987 Three for the Road
1988 You Can't Hurry Love
1989 Limit Up
1995 The Point of Betrayal
1997 Cannes Man
2000 Camera
2004 Tibetan Refugee
2006 Clones at Greaser's Palace
2006 My Bollywood Bride
2012 Flipside: A Journey Into the Afterlife
???? Video Valentino
Writer:
1981 My Champion
1982 Personal Best
1987 Three for the Road
1988 You Can't Hurry Love
1989 Limit Up
1995 The Point of Betrayal
1997 Cannes Man
2000 Camera
2004 Tibetan Refugee
2006 Clones at Greaser's Palace
2006 My Bollywood Bride
2012 Flipside: A Journey Into the Afterlife
???? Video Valentino
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.