A work in constant progress (and occasional regress).
Release Date:
February 5, 1982
Original Title:
Personal Best
Genres:
Drama
Production Companies:
Geffen Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 124
Young sprinter Chris Cahill is having difficulty reaching her potential as an athlete, until she meets established track star Tory Skinner. As Tory and her coach help Chris with her training, the two women form friendship that evolves into a romantic relationship. Their intimacy, however, becomes complicated when Chris' improvement causes them to be competitors for the Olympic team.
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ADR Editor:
Eric Shrader
ADR Supervisor:
J. Paul Huntsman
Assistant Camera:
Michael Genne
Kenneth Zunder
Johnny Walker
Don E. FauntLeRoy
John Boccaccio
Assistant Director:
Jerry Grandey
William S. Beasley
Assistant Director Trainee:
Regina Gordon
Assistant Editor:
Robert Lederman
Mike Dobie
Michael Tompane
Seth Flaum
Assistant Location Manager:
Philip Procter
Assistant Property Master:
Paul Rylander
Barbara Adamski
Associate Producer:
Peter Peyton
Best Boy Electric:
Doug Dale
Boom Operator:
Jack Snyder
Camera Operator:
Lance Williams
Eric D. Andersen
Robert Marta
Mike Chevalier
Color Timer:
Richard Ritchie
Costume Design:
Linda Henrikson
Ron Heilman
Director:
Robert Towne
Director of Photography:
Michael Chapman
Editor:
Jere Huggins
Walt Mulconery
Ned Humphreys
Jacqueline Cambas
Bud S. Smith
Executive Producer:
David Geffen
First Assistant Camera:
Randall Robinson
Gaffer:
Don Stott
Grip:
Stephen V. Isbell
Bob Winger
Hairstylist:
Susan Germaine
Key Grip:
Michael E. Matteson
Cary Griffith
Leadman:
Howard McCormick
Location Casting:
Jeff Parguer
Makeup Artist:
Christina Smith
Karl Silvera
Music Editor:
Curt Sobel
Negative Cutter:
Donah Bassett
Original Music Composer:
Jill Fraser
Jack Nitzsche
Other:
Douglas J. Schulman
Edward M. Taylor
Producer:
Robert Towne
Production Assistant:
Richard Martini
Production Consultant:
Ron Rapiel
Production Coordinator:
Sheila A. Warner
Leah Brown
Production Design:
Ron Hobbs
Property Master:
Steven Westlund
Scenic Artist:
Benjamin Resella
Script Supervisor:
Ray Quiroz
Second Assistant Director:
Michael Green
Daniel J. Heffner
Robert J. Doherty
Second Unit Director:
Nikita Knatz
Set Decoration:
Rick Simpson
Set Medic:
B.J. Smith
Sound Editor:
Norval D. Crutcher
Michael P. Redbourn
Samuel C. Crutcher
John A. Larsen
Sound Mixer:
Bruce Bisenz
Sound Re-Recording Mixer:
Larry Stensvold
Gary Alexander
Chris Jenkins
Special Effects:
Ken Speed
Dale Newkirk
Still Photographer:
Stephen Vaughan
Storyboard Artist:
Nikita Knatz
Supervising Editor:
Bud S. Smith
Supervising Sound Editor:
David Pettijohn
Swing:
Keith McCormick
Richard Valdez
Technical Advisor:
Jane Frederick
Kate Schmidt
Chuck DeBus
Mitch Lewis
Patrice Donnelly
Leroy R. Perry Jr.
Transportation Captain:
Donald P. Desmond
Transportation Coordinator:
Alan Collis
Underwater Camera:
Alan Gornick
Unit Production Manager:
William L. Young
Richard H. Prince
Unit Publicist:
Jeff Freedman
Utility Sound:
Ben Sobin
Writer:
Robert Towne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.