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Jennifer Lame

Alias:
Jen Lame

Birthplace:
Philadelphia, Pennsylvania, USA

Biography from TheMovieDB

Jennifer Lame is an American film editor best known for her work on Noah Baumbach's films. Lame is also notable for her work on Manchester by the Sea, Hereditary, Tenet, and Oppenheimer.

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Additional information:

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Film Performances

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Film Production

Additional Editing:
2016  De Palma

Additional Editor:
2016  De Palma
2019  Midsommar
2021  Judas and the Black Messiah
2022  Blonde
2022  Don't Worry Darling

Assistant Editor:
2009  Sorry, Thanks
2009  The Lovely Bones
2011  Almost Perfect
2016  De Palma
2019  Midsommar
2021  Judas and the Black Messiah
2022  Blonde
2022  Don't Worry Darling

Editor:
2009  Sorry, Thanks
2009  The Lovely Bones
2011  Almost Perfect
2012  First Winter
2012  Price Check
2013  Frances Ha
2013  Palimpsest
2015  Mistress America
2015  Paper Towns
2015  While We're Young
2016  De Palma
2016  Manchester by the Sea
2017  The Meyerowitz Stories
2018  Hereditary
2018  Tyrel
2019  Marriage Story
2019  Midsommar
2020  Tenet
2021  Judas and the Black Messiah
2022  Black Panther: Wakanda Forever
2022  Blonde
2022  Don't Worry Darling
2023  Oppenheimer

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TV Performances

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TV Production

Assistant Editor:
2012  Smash

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.