A work in constant progress (and occasional regress).
Birthplace:
Ann Arbor, Michigan
Born:
February 11, 1971
David Edward Gatten (Born February 11, 1971, Ann Arbor, Michigan) is an American experimental filmmaker and moving image artist. Since 1996 Gatten's films have explored the intersection of the printed word and moving image, cataloguing the variety of ways in which texts function in cinema as both language and image, often blurring the boundary between these categories. His 16mm films often employ cameraless techniques, combined with close-up cinematography and optical printing processes. In addition to the ongoing 16mm films, Gatten is now making hybrid 16mm/digital works and has completed an entirely digital feature-length project called The Extravagant Shadows. Among other projects, they are currently working on a series of films entitled Secret History of the Dividing Line, a True Account in Nine Parts, a project which Artforum magazine called "one of the most erudite and ambitious undertakings in recent cinema." He was awarded a Guggenheim Fellowship in 2005 to continue work on this series of films exploring the library of William Byrd II of Westover (1674–1744) and the lives of William Byrd and their daughter Evelyn Byrd (1707–1737). [Wikipedia]
Director:
1995 Silver Align
1996 Hardwood Process
1998 What The Water Said, Nos. 1-3
1999 Moxon’s Mechanick Exercises or the Doctrine of Handy-Works Applied to the Art of Printing
1999 Secret History of the Dividing Line, a True Account in Nine Parts
2001 The Enjoyment of Reading, Lost and Found
2002 Secret History of the Dividing Line
2003 Fragrant Portals, Bright Particulars and the Edge of Space
2004 The Great Art of Knowing
2006 Film for Invisible Ink case no. 71: Base-Plus-Fog
2007 How to Conduct a Love Affair
2007 What The Water Said, Nos. 4-6
2008 Film for Invisible Ink, Case No. 142: Abbreviation for Dead Winter [Diminished by 1,794]
2009 Journals and Remarks
2009 Ordinary Time, Equivocal Inventory
2010 Film for Invisible Ink, case no. 323. Once Upon a Time in the West
2010 Shrimp Boat Log
2010 So Sure of Nowhere Buying Times to Come
2011 The Matter Propounded, of Its Possibility and Impossibility, Treated in Four Parts
2012 The Extravagant Shadows
2013 By Pain and Rhyme and Arabesques of Foraging
2013 What Places of Heaven, What Planets Directed, How Long the Effects? or, The General Accidents of the World
2015 Crossing Brooklyn Ferry
2016 China monumentis (A Roll for Peter)
2016 Devotions Upon Emergent Occasions
2016 Narrow Rivers, Open Seas & Seventeen Sunsets (Silences for A Merchant Mariner)
2019 The Heart is the Residence of the Spirit
2021 This Day’s Madness did prepare Tomorrow’s Silence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.