The Great Art of Knowing (2004) [N/A]

Release Date:
October 30, 2004

Original Title:
The Great Art of Knowing

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 37

On either side of a life, find a library before and an auction after: consider these figures as the sites for a collection created for the purposes of division and dispersal. From Leonardo da Vinci to Jules-Etienne Marey, practitioners of a certain mode of transcendental empiricism turned repeatedly to combinations of words and images describing the flight of birds. This film-as-bibliography of William Byrd's library finds its name and shape within a single volume from that collection: Athanasius Kircher's 17th century encyclopedia, The Great Art of Knowing. Herein you find tangled texts and crossed destinies, filled with figures at once buried deep and tossed high by history, lined with traces of Evelyn Byrd's hidden romance. Love finds purchase between tightly shelved volumes. In the spaces between the letters. In the lines themselves. An antinomian cinema seems possible; a gentle iconoclasm? The image is always backwards in a mirror. The story unfolds slowly.

Additional information:

The Search Form


Director:
David Gatten

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.