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Pons Maar (b. 1951)

Birthplace:
Pensacola, Florida, USA

Born:
August 4, 1951

Biography from TheMovieDB

Pons Maar is originally from Florida where he studied ceramics and visual art. After moving to San Francisco he became a fixture on the local arts scene as a graphic designer and performance artist, and, as a musician, playing in a couple of art/punk bands. At one of his solo performances of 'Natural Enemies' he was seen by Oscar-winning Sound Designer/Editor Walter Murch and cast as the Lead Wheeler in Walter's first directing effort Return to Oz (1985). Pons acted in the film as well as serving as the Performance Coordinator, starting what was to become a pattern of working on both sides of the camera. Following with other non-human roles in Golden Child (1987) and Masters of the Universe (1988) he continued to delve deeper into extreme latex makeup and huge, hot, and heavy creature and fantasy character suits. After the full 65 episode run on the TV show Dinosaurs (1991) and playing the lead character in Theodore Rex (1995). Pons then focused on Coordinating Puppets and Creatures in various feature films and TV productions.  Pons served as the Co-Head of the Screen Actor's Guild Puppeteer Committee from 2003-2005. During this time he and co-head, Kevin Carlson, were able to change the puppeteer's status from a caucus to a full committee.  Currently (2017) he is a partner in TASTY NAME a boutique video production company based in Alameda, CA.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.