A work in constant progress (and occasional regress).
Release Date:
August 7, 1987
Original Title:
Masters of the Universe
Alternate Titles:
He-Man - Universums härskare
He-Man e os Mestres do Universo
He-man ve Dünyalar Hâkimi
Masters del universo
Masters of the Universe: The Motion Picture
Vládci vesmíru
Повелители вселенной
הי-מן ושליטי היקום
マスターズ 超空の覇者
マスターズ/ちょうくうのはしゃ
マスターズ/超空の覇者
决胜时空战区
Genres:
Action | Adventure | Fantasy | Science Fiction | Thriller
Production Companies:
Golan-Globus Productions
Pressman Film
The Cannon Group
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: L DE: 12 DK: 15 ES: APTA FR: TP GB: PG IE: PG IT: T SE: 15 US: PG
Runtime: 106
The world of Eternia in the aftermath of Skeletor's war on Castle Grayskull, which he has won after seizing Grayskull and the surrounding city using a cosmic key developed by the locksmith Gwildor. The Sorceress is now Skeletor's prisoner and he begins to drain her life-force as he waits for the moon of Eternia to align with the Great Eye of the Universe that will bestow god-like power upon him.
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ADR Editor:
Jenny Weyman-Cockle
Marilyn McCoppen
ADR Supervisor:
George Berndt
Animation:
Deborah Gaydos
Glenn Chaika
Mauro Maressa
Eusebio Torres
Armorer:
James D. McGeachy
Douglas S. Turner
Art Department Coordinator:
Mary K. Perko
Art Direction:
Robert Howland
Assistant Art Director:
Lynn Christopher
Assistant Editor:
Christopher Cibelli
Associate Producer:
Michael Flynn
Evzen Kolar
Best Boy Electric:
Mark Buckalew
Boom Operator:
Mark Goodermote
Mary Jo Devenney
Camera Operator:
Dan Elsasser
Casting:
Victoria Thomas
Casting Assistant:
Renee Milliken
Co-Producer:
Elliot Schick
Conceptual Design:
Claudio Mazzoli
Edward Eyth
Joe Griffith
Construction Foreman:
Michael Reinhart
Costume Coordinator:
Douglas S. Turner
Costume Design:
Julie Weiss
Dialogue Coach:
Lillian Glass
Director:
Gary Goddard
Director of Photography:
Hanania Baer
Dolly Grip:
Rick Davis
Editor:
Anne V. Coates
Executive Producer:
Edward R. Pressman
First Assistant Camera:
Michael E. Little
First Assistant Director:
Frederic B. Blankfein
Foley Editor:
Robert Martel
Gaffer:
James Rosenthal
Hairstylist:
Angelo Di Biase
Lori Benson
Zandra Platzek
Key Grip:
Skip Cook
Brian H. Reynolds
Leadman:
Douglas E. Maxwell
Location Manager:
Stephen Milburn Anderson
Bart Heimburger
Cynthia R. Woodard
Makeup Artist:
Robin Beauchesne
June Westmore
Makeup Department Head:
Todd McIntosh
Makeup Designer:
Michael Westmore
Music Editor:
Stephen A. Hope
Music Supervisor:
Paula Erickson
Negative Cutter:
Helen Hahn
Original Music Composer:
Bill Conti
Post Production Supervisor:
Alain Jakubowicz
Michael Alden
Producer:
Yoram Globus
Menahem Golan
Production Design:
William Stout
Production Manager:
Elliot Schick
Alan Gershenfeld
Rigging Grip:
Ron McCausland
Screenplay:
David Odell
Script Supervisor:
Adrienne Hamalian-Mangine
Sculptor:
Leo Rijn
Second Assistant Director:
John Eyler
Set Decoration:
Daniel Gluck
Mike Johnson
Kathe Klopp
Sound Designer:
Ed Novick
Sound Re-Recording Mixer:
Dean Okrand
Gary C. Bourgeois
Chris Carpenter
Sound Recordist:
Anna Behlmer
Stanley B. Gill
Special Effects Supervisor:
Ellen Kitz
Paulette Smook Marshall
Still Photographer:
Ken Sax
Stunt Coordinator:
Walter Scott
Loren Janes
Stunt Double:
Anthony De Longis
Stunts:
Tony Brubaker
Charles Croughwell
Janet Brady
Supervising Sound Editor:
Robert R. Rutledge
John A. Larsen
Title Designer:
Wenden K. Baldwin
Kyle Seidenbaum
VFX Director of Photography:
Bill Neil
Rexford L. Metz
Visual Effects Art Director:
Terry Windell
Brent Boates
Visual Effects Coordinator:
Michael Van Himbergen
Visual Effects Editor:
Michael Backauskas
Dennis Michelson
Visual Effects Supervisor:
Garry Waller
Richard Edlund
Wardrobe Supervisor:
Lawrence Richter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.