A work in constant progress (and occasional regress).
Birthplace:
Littleton, Colorado, USA
Additional Writing:
2023 King Coal
Associate Producer:
2012 Fuck for Forest
2015 Olmo and the Seagull
2016 All These Sleepless Nights
2023 King Coal
Editorial Consultant:
2012 Fuck for Forest
2015 Olmo and the Seagull
2016 All These Sleepless Nights
2023 King Coal
2024 Blink
Executive Producer:
2012 Fuck for Forest
2015 Olmo and the Seagull
2016 All These Sleepless Nights
2022 Band
2023 King Coal
2024 Blink
Producer:
2012 Fuck for Forest
2012 You're Looking At Me Like I Live Here and I Don't
2015 Olmo and the Seagull
2016 All These Sleepless Nights
2019 The Edge of Democracy
2019 The Seer and the Unseen
2020 Silent Rose
2021 Stray
2021 The Last Cruise
2022 Band
2022 Fire of Love
2022 Navalny
2023 King Coal
2024 Blink
2024 Hollywoodgate
???? Untitled Fire of Love Narrative Adaptation
Story Consultant:
2012 Fuck for Forest
2012 You're Looking At Me Like I Live Here and I Don't
2015 Olmo and the Seagull
2016 All These Sleepless Nights
2019 The Edge of Democracy
2019 The Seer and the Unseen
2020 Silent Rose
2021 Stray
2021 The Last Cruise
2022 Band
2022 Fire of Love
2022 Navalny
2023 King Coal
2023 Story & Pictures By
2024 Blink
2024 Hollywoodgate
???? Untitled Fire of Love Narrative Adaptation
Writer:
2012 Fuck for Forest
2012 You're Looking At Me Like I Live Here and I Don't
2015 Olmo and the Seagull
2016 All These Sleepless Nights
2019 The Edge of Democracy
2019 The Seer and the Unseen
2020 Silent Rose
2021 Stray
2021 The Last Cruise
2022 Band
2022 Fire of Love
2022 Navalny
2023 King Coal
2023 Story & Pictures By
2024 Blink
2024 Hollywoodgate
???? Untitled Fire of Love Narrative Adaptation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.