A work in constant progress (and occasional regress).
Release Date:
April 13, 2019
Original Title:
The Seer and the Unseen
Alternate Titles:
The Seer & The Unseen
Genres:
Documentary
Production Companies:
Signpost Pictures
Production Countries:
Iceland
Ratings / Certifications:
N/A
Runtime: 86
A magic realist fable about invisible elves, financial collapse and the surprising power of belief, told through the story of an Icelandic woman - a real life Lorax who speaks on behalf of nature under threat.
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Additional Camera:
Bjarni Felix Bjarnason
Sigurður Grímsson
Arnar Sigurðsson
Daniel Schreiber
Assistant Editor:
Prapaporn Pinyopusarerk
Theresa Desautels
Lucas Kreger
Associate Editor:
Anna Halldórsdóttir
Associate Producer:
Elijah Stevens
Co-Producer:
Arnar Sigurðsson
Heather Millard
Þórður Jónsson
Colorist:
Robert Arnold
Consulting Producer:
Alexandra Johnes
Dialogue Editor:
Matt Rigby
Director:
Sara Dosa
Director of Photography:
Patrick Kollman
Editor:
Erin Casper
Executive Music Producer:
Dan Romer
Executive Producer:
Richard Berge
Bonni Cohen
Jon Shenk
Nion McEvoy
Leslie Berriman
Graphic Designer:
Sylvia Roberts
Original Music Composer:
Giosuè Greco
Tara Atkinson
Post Production Supervisor:
Robert Arnold
Producer:
Shane Boris
Sara Dosa
Researcher:
Anna Halldórsdóttir
Sound:
Skúli Helgi Sigurgíslason
Sound Director:
Patrick Kollman
Sound Editor:
Lawrence Everson
Cindy Takehara Ferruccio
Sound Re-Recording Mixer:
Lawrence Everson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.