A work in constant progress (and occasional regress).
Alias:
Christopher D. Ford
Christopher D. Ford is an American film screenwriter, producer, and actor best known for his collaborations with director Jon Watts, including Clown (2014), Cop Car (2015), and Spider-Man: Homecoming (2017). In 2008, Ford had a starring role in the horror film I Can See You, alongside other employees of Waverly Films. In 2012, he began his writing career by drafting the screenplay for the science fiction film Robot & Frank. By August 2012, Ford was writing the screenplay for the slasher film Thanksgiving with Jon Watts, Eli Roth, and Jeff Rendell. In 2014, he wrote the script for the horror film Clown, directed by Watts. In 2015, he continued his collaboration with Watts with the action film Cop Car. In 2017, he gained notability from drafting the screenplay for the Marvel Cinematic Universe film Spider-Man: Homecoming, his third collaboration with Watts. In 2018, he wrote the script for the horror film The Clovehitch Killer. In 2021, he rewrote the script for the fantasy film Chaos Walking. In 2024, Watts and Ford created and executive produced the Disney+ series Star Wars: Skeleton Crew, a coming-of-age tale set after the events of Return of the Jedi. Description above from the Wikipedia article Christopher Ford (screenwriter), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Producer:
2018 The Clovehitch Killer
Screenplay:
2012 Robot & Frank
2017 Spider-Man: Homecoming
2018 The Clovehitch Killer
2021 Chaos Walking
Writer:
2005 Christopher Ford Sees a Film
2010 Clown
2012 Robot & Frank
2014 Clown
2015 Cop Car
2017 Spider-Man: Homecoming
2018 The Clovehitch Killer
2021 Chaos Walking
Creator:
2024 Star Wars: Skeleton Crew
Executive Producer:
2024 Star Wars: Skeleton Crew
Writer:
2024 Star Wars: Skeleton Crew
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.