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Miss Congeniality 2: Armed and Fabulous (2005) [PG-13]

Release Date:
March 11, 2005

Original Title:
Miss Congeniality 2: Armed and Fabulous

Alternate Titles:
Beépített szépség 2 - Csábítunk és védünk
Miss Congeniality 2
Miss Undercover 2
미스 에이전트 2

Genres:
Action | Comedy

Production Companies:
Castle Rock Entertainment
Fortis Films
Village Roadshow Pictures
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  AU: M  BG: C  BR: 12  CH: 12  CZ: 15+  DE: 12  ES: 16  FR: TP  GB: 12  HU: 12  IE: 12A  JP: R18+  KR: 12  NL: 12  PL: 16  PT: M/12  US: PG-13 

Runtime: 115

You might feel a little prick.

Overview from TheMovieDB

After her triumph at the Miss United States pageant, FBI agent Gracie Hart becomes an overnight sensation -- and the new "face of the FBI". But it's time to spring into action again when the pageant's winner, Cheryl, and emcee, Stan, are abducted.

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Trailer

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Performers

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Production

ADR Mixer:
Troy Porter
Greg Steele

ADR Recordist:
Greg Zimmerman

Aerial Director of Photography:
Steve Koster

Art Department Coordinator:
Randy Bobbitt

Art Direction:
Andrew Max Cahn
Greg Richman

Assistant Art Director:
Austin Gorg

Assistant Chief Lighting Technician:
Andy Dorowsky

Assistant Editor:
Daniel Craven
Kristen Young

Assistant Makeup Artist:
Kelly Belmonte

Assistant Production Coordinator:
Mark Swenson

Assistant Sound Editor:
Patrick Cusack

Boom Operator:
Lawrence L. Commans
Mark Fay
Anthony Ortiz

Camera Operator:
Christopher Duskin
Chris Haarhoff
Cynthia Pusheck

Casting:
Nancy Foy

Chief Lighting Technician:
Andy Ryan

Choreographer:
Fatima Robinson

Color Timer:
David Orr

Construction Coordinator:
Bryan Belair

Costume Design:
Deena Appel

Costume Supervisor:
Lori DeLapp

Director:
John Pasquin

Director of Photography:
Peter Menzies Jr.

Editor:
Garth Craven

Executive Producer:
Bruce Berman

Extras Casting:
Chad Darnell
Kim Ju

First Assistant Director:
K.C. Colwell

First Assistant Editor:
Herbert Dwight Raymond IV

Foley Artist:
Gregg Barbanell
Alyson Dee Moore
John Roesch

Foley Editor:
Jonathan Klein

Foley Mixer:
Marilyn Graf

Hair Department Head:
Kim Santantonio

Hairstylist:
Ketty Gonzalez

Key Costumer:
Ann Foley

Key Grip:
C. Alan Rawlins Sr.

Key Hair Stylist:
JoAnn Stafford-Chaney

Key Makeup Artist:
Ann Masterson

Leadman:
Jonathan Bobbitt

Makeup Artist:
Robin Beauchesne

Makeup Supervisor:
Pamela S. Westmore

Music:
John Van Tongeren

Music Editor:
John Finklea
Richard Ziegler

Music Supervisor:
John Houlihan

Negative Cutter:
Mo Henry

Pilot:
Al Cerullo
Wayne Cerullo
Tom Schaus

Post Production Supervisor:
Susan E. Novick

Producer:
Mary McLaglen
Marc Lawrence
Sandra Bullock

Production Accountant:
Chris Furia

Production Coordinator:
Candice D. Campos

Production Design:
Maher Ahmad

Production Secretary:
Sean Gowrie

Property Master:
Russell Bobbitt

Prosthetics:
Gary Archer

Screenplay:
Caryn Lucas
Marc Lawrence
Katie Ford

Script Supervisor:
Sharon Cingle

Second Assistant Director:
Paula Case

Second Second Assistant Director:
Craig Comstock

Second Unit Director:
Jack Gill

Set Decoration:
Leslie E. Rollins

Set Designer:
Daniel R. Jennings

Set Medic:
Ahmed Saker
Jeffrey D. Stevens

Sound Effects Editor:
Paul Aulicino
Steve Nelson
Stephen P. Robinson
Bernard Weiser

Sound Mixer:
Michael Barosky
Mark Weingarten

Sound Re-Recording Mixer:
David E. Campbell
Kevin E. Carpenter
Steve Pederson

Special Effects Coordinator:
Allen Hall

Steadicam Operator:
Gregory Lundsgaard

Still Photographer:
Frank Masi

Storyboard Artist:
Dan Sweetman

Stunt Coordinator:
Jack Gill

Stunts:
Andy Gill
Erik Stabenau
Danny Epper

Supervising ADR Editor:
Becky Sullivan

Supervising Sound Editor:
Paul Curtis
Bruce Stambler

Underwater Camera:
Peter Zuccarini

Underwater Director of Photography:
Pete Romano

Unit Production Manager:
Mary McLaglen

Unit Publicist:
Peter J. Silbermann

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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