Getting to Know You (2020) [N/A]

Release Date:
May 26, 2020

Original Title:
Getting to Know You

Genres:
Comedy | Drama | Romance

Production Companies:
Epix
Goldfinch Studios
Gravitas Ventures
Paragraph Pictures
Premiere Picture
Rolling Pictures

Production Countries:
Canada | United Kingdom

Ratings / Certifications:
CA: 14A  GB: 15 

Runtime: 103

When his drunken ex-girlfriend won't leave him alone, a man asks a married woman staying at the same hotel to pretend to be his wife. What could go wrong? It's not like two strangers spending a weekend in a small town could possibly fall in love - Getting To Know You is a delightful love story for grownups starring Natasha Little, Rupert Penry-Jones and Rachel Blanchard.

Additional information:

The Search Form


"B" Camera Operator:
Paula Tymchuk

Additional Photography:
Andrew Mindszenthy

Assistant Location Manager:
Melissa Villaneuve

Assistant Production Coordinator:
Jennifer Mathewson

Assistant Property Master:
Daniel Lacroix

Best Boy Electric:
Shane Kirkpatrick
Ryan Richey

Best Boy Grip:
Patrick McNeil

Boom Operator:
Art Pisanski

CG Artist:
Tim Gathercole

CG Supervisor:
Andrew R. Jones

Camera Trainee:
Jonna Bouliane
Andrei Mates

Casting:
Simone Reynolds
Stephanie Gorin

Casting Assistant:
Barbara da Dalt

Casting Consultant:
Mark Paladini

Catering:
Derek Turner

Compositing Lead:
Ben Lilley

Compositor:
Richard Van De Steenoven
Yanru Yin
Gary Maudsley
Stephen Grimes

Costume Designer:
Sophie Lennox-King

Costume Set Supervisor:
Jennifer Campaner

Dialect Coach:
Diane Pitblado

Dialogue Editor:
Elma Bello

Digital Colorist:
Drake Conrad

Digital Imaging Technician:
Randy Morton

Director:
Joan Carr-Wiggin

Director of Photography:
Bruce Worrall

Driver:
Jordan Vernelli
Jason Guise
Eric Riauka
Brandon Smith
Krista Duguay

Editor:
Lizzie Irwin

Electrician:
Adam Walsh

Executive Producer:
Jason Garrett
David Rogers
Kirsty Bell
Phil Mackenzie

First Assistant "A" Camera:
Cylvan Desrouleaux

First Assistant "B" Camera:
Michelle Veza

First Assistant Art Direction:
Emily Weedon

First Assistant Director:
Aline Robichaud

Foley Artist:
Tim O'Connell
Brandon Bak

Foley Mixer:
Ryan Lukasik
Justin Helle

Gaffer:
Ryan Wiseman

Generator Operator:
Quillan Docherty

Graphic Designer:
Stuart Ord

Key Grip:
Mike Kostuk

Key Hair Stylist:
Helen Hronis

Key Makeup Artist:
Larissa Palaszczuk

Lighting Technician:
Jason Preece

Line Producer:
Borga Dorter

Location Assistant:
Justine Chalykoff
Jade Robertson
Steven Maione

Location Manager:
Craig Gradwell

Makeup Department Head:
Larissa Palaszczuk

Online Editor:
Angelica Falco

Original Music Composer:
Ken Harrison

Post Production Accountant:
Michale Raske

Post Production Supervisor:
Kate Wright

Producer:
David Gordian
Alan Latham

Production Accountant:
Jocelyn Lacroix

Production Coordinator:
Ayah Hart

Production Design:
Wendy Morrow
Rose Lagacé

Production Illustrator:
Stuart Ord

Production Manager:
Borga Dorter

Production Secretary:
Joanne Gouchie

Project Manager:
Brandon Tobia

Property Master:
Shaun Majid

Script Supervisor:
Nikki Filippelli

Second Assistant Camera:
Jay Jay Callan

Second Assistant Director:
Eric Boissonneault

Set Decoration:
Stephanie Maione

Set Dresser:
Adam Linhares

Sound Effects Editor:
Clive Turner

Sound Mixer:
Jeffery Magat

Sound Re-Recording Mixer:
Jamie Sulek

Specialized Driver:
Quillan Docherty

Stand In:
Jennifer Tocheri
Hannah Ellis
Matt Connors

Thanks:
Michael B. Forsey
Martin Harbury
Richard Sniderman
Michelle Tessier
David Ottier
James Burt
Suzanne Benoit
Brad Gregorini
Rosalie Chilelli
Savitri Gordian

Third Assistant Director:
Miia Piironen

Transportation Captain:
Jordan Vernelli

Transportation Coordinator:
Gary Guise

Truck Supervisor:
Jennifer Campaner

Visual Effects Editor:
Yvette Yang

Visual Effects Producer:
Thomas Mattinson
Kit Monkman

Visual Effects Supervisor:
Ben Louden

Writer:
Joan Carr-Wiggin

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.