Michael B. Forsey

Alias:
Mic Forsey
Michael Forsey
Mike Forsey

Michael B. Forsey is the CEO/CTO of the Toronto-based post production hub Rolling Pictures.

Additional information:

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Digital Intermediate Producer:
2014  Fall

Executive Producer:
2014  Fall
2018  Never Saw It Coming

Mixing Engineer:
2006  Remembering Arthur
2014  Fall
2018  Never Saw It Coming

Post Production Supervisor:
2006  Remembering Arthur
2011  Collaborator
2012  A Dark Truth
2013  Compulsion
2013  The Story of Luke
2014  A Fighting Man
2014  Fall
2014  Swearnet: The Movie
2017  Pyewacket
2018  Never Saw It Coming
2023  The Retirement Plan

Sound Editor:
1998  The Second Arrival
2006  Remembering Arthur
2011  Collaborator
2012  A Dark Truth
2013  Compulsion
2013  The Story of Luke
2014  A Fighting Man
2014  Fall
2014  Swearnet: The Movie
2017  Pyewacket
2018  Never Saw It Coming
2023  The Retirement Plan
????  B Dock

Sound Mixer:
1998  The Second Arrival
2006  Remembering Arthur
2011  Collaborator
2012  A Dark Truth
2013  Compulsion
2013  The Story of Luke
2014  A Fighting Man
2014  Fall
2014  Swearnet: The Movie
2017  Pyewacket
2018  Never Saw It Coming
2023  The Retirement Plan
????  B Dock

Supervising Sound Editor:
1998  The Second Arrival
2006  Remembering Arthur
2010  Disfarmer: A Portrait of America
2011  Collaborator
2012  A Dark Truth
2013  Compulsion
2013  The Story of Luke
2014  A Fighting Man
2014  Fall
2014  Swearnet: The Movie
2017  Pyewacket
2018  Never Saw It Coming
2023  The Retirement Plan
????  B Dock

Online Editor:
2014  The Best Laid Plans

Sound Editor:
2014  The Best Laid Plans
2022  Hello (Again)

Sound Re-Recording Mixer:
2014  The Best Laid Plans
2022  Hello (Again)

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.