A work in constant progress (and occasional regress).
Release Date:
April 12, 2001
Original Title:
Revelation
Alternate Titles:
A Revelação
Genres:
Fantasy | Horror | Science Fiction
Production Companies:
Cyclops Vision
Miracle Communications Ltd.
Romulus Films
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16 GB: 15
Runtime: 111
Since A.D. 50, a mysterious sacred artifact known as the Loculus has been at the center of a bloody clandestine war. Missing for a few hundred years, the puzzling relic has suddenly reappeared in the present day, bringing with it a terrible secret that could spell doom for all of mankind. Now it's up to Magnus Martel to subvert a murderous secret society and uncover the truth behind the ancient treasure.
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3D Animator:
Dayne Cowan
ADR Voice Casting:
Louis Elman
Art Department Assistant:
Nicola De Fresnes
Art Department Trainee:
Daniel Vernon
Martin Kelly
Art Direction:
Tim Ellis
Assistant Accountant:
Isaac Sananes
Assistant Costume Designer:
Hester Peden
Assistant Location Manager:
Nick Williams
Assistant Production Coordinator:
Elian Strong
Boom Operator:
Justin Wilkinson
Camera Trainee:
Zillah Bowes
Casting:
Debbie McWilliams
Casting Coordinator:
Mavis Formosa
Clapper Loader:
Alix Mumford
John Preca Trapani
Anton Betoadier
Phil Humphries
Co-Producer:
Pat Harding
Concept Artist:
Yuri Tsykalo
Construction Manager:
Peter Thompson
Mark Caruana
Costume Assistant:
Rachel Turner
Costume Design:
John Krausa
Dialogue Editor:
Dan Morgan
Director:
Stuart Urban
Director of Photography:
Sam McCurdy
Draughtsman:
Charlotte Leatherland
Editor:
Julian Rodd
Electrician:
Derrick Richie
John Gravidge
Michael O'Connoll
Andy Bell
Edmund Alexander
Saviour Zammit
Vic Chandler
Lennie O'Brien
John Laurence
Matt Wilson
John Collie
John Graves
First Assistant Director:
Kieron Phipps
Focus Puller:
David Wyatt
Jon Garwes
Foley Artist:
Peter Burgis
Andie Derrick
Jack Stew
Jason Swanscott
Foley Editor:
Arthur Graley
Foley Recordist:
Roger Danès
Colin Guthrie
Gaffer:
John Walker
Generator Operator:
Barry Martin
Hair Designer:
Tara Smith
Key Grip:
Sergio Bernuzzi
Legal Services:
Denton Wilde Sapte
Richard Moxon
Line Producer:
Brian Donovan
Location Manager:
Gill Case
Tim Porter
David Szymkowicz
Makeup Artist:
Phillipa Irving
Jutta Russell
Alison Rainey
Catherine Scoble
Matte Painter:
Dimitri Delacovias
Jim Bowers
Music:
Edmund Butt
Negative Cutter:
Sylvia Wheeler
Producer:
Stuart Urban
Jonathan Woolf
Production Accountant:
Patrick Isherwood
Dennis Mahoney
Production Assistant:
Laurence Chisholm
Isabell Cassar
Production Coordinator:
Hermione Ninnim
Emily Bullock
Production Design:
James Merifield
Property Buyer:
Lawrence Cauchi
Property Master:
Simon Morrissey
Researcher:
Dana Urban
Script Supervisor:
Amanda Lean
Lorely Farley
Second Assistant Director:
Oscar Beuselinck
Simon Emanuel
Second Unit Director:
Tom Delmar
Second Unit Director of Photography:
Shane Daly
Set Decoration:
Jacqueline Abrahams
Sound Editor:
James Feltham
Sound Re-Recording Mixer:
Chris Burdon
Sound Recordist:
Tony Jackson
Emma Meaden
Special Effects Supervisor:
Paul McGuinness
Stand In:
Helena Drake
Rupert Regis
Standby Art Director:
Kellie Waugh
Standby Carpenter:
Raymond Zerafa
John Watt
Standby Painter:
Patrick Aguis
Pat Bailey
Steadicam Operator:
Dion M. Casey
Still Photographer:
Giles Keyte
Storyboard Artist:
Michael Harrison
Supervising Sound Editor:
Julian Slater
Nigel Heath
Third Assistant Director:
Matthew Hanson
Title Designer:
Simon Giles
Unit Publicist:
Sarah Clark
Visual Effects Editor:
Daryl Jordan
Visual Effects Producer:
Matthew Plummer
Visual Effects Supervisor:
Paul J. Franklin
Wardrobe Assistant:
Carmen Persiano
Ruben Reed
Yvonne Zarb Cousin
Wardrobe Master:
Steven Paige
Writer:
Stuart Urban
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.