A work in constant progress (and occasional regress).
Release Date:
October 21, 2021
Original Title:
Last Night in Soho
Alternate Titles:
Dün Gece Soho'da
Eile öösel Sohos
El misterio de Soho
Noite Passada em Soho
Ostatniej nocy w Soho
Ultima Notte A Soho
Une dernière nuit à Soho
Última noche en el Soho
Последна нощ в Сохо
ฝัน-หลอน-ที่โซโห
ラストナイト・イン・ソーホー:2021
蘇豪的最後一夜
Genres:
Horror | Mystery | Thriller
Production Companies:
Complete Fiction
Film4 Productions
Focus Features
Perfect World Pictures
Working Title Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AE: 18TC AR: 13 AU: MA15+ BR: 16 CA: 14A CZ: 18+ DE: 16 DK: 15 ES: 16 FI: K-16 FR: 12 GB: 18 GR: Κ-18 HK: IIB HU: 16 ID: D17+ IE: 16 IL: 16|18 IN: A IT: T KR: 15 MX: B15 NL: 16 NO: 15 NZ: 16 PL: 16 PT: M/16 RO: 18+ RU: 18+ SE: 15 SG: M18 TH: 18 TR: 16+ TW: 輔15 UA: 16+ US: R
Runtime: 116
A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to be falling apart with shady consequences.
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"A" Camera Operator:
Chris Bain
ADR Recordist:
Tristan Rose
Rob Searl
Mike Tehrani
Additional Sound Re-Recording Mixer:
William Miller
Art Department Coordinator:
Lauren Perry
Art Direction:
Victoria Allwood
Katie Money
Emily Norris
Assistant Costume Designer:
Ellen Crawshaw
Assistant Location Manager:
Florence Cleverdon
Danny Potts
Jack Leary
Assistant Production Coordinator:
Alistair Steele
Assistant Property Master:
Neil Hornshaw
Assistant Sound Editor:
Jacob Stripp
Associate Producer:
Leo Thompson
Laura Richardson
Best Boy Grip:
Tino Liverton
Casting:
Nina Gold
Martin Ware
Casting Assistant:
Sacha Garrett
Choreographer:
Jennifer White
Colorist:
Asa Shoul
Concept Artist:
Paul Threadgold
Conceptual Design:
Oscar Wright
Construction Coordinator:
Sandra Waddington-Wilson
Costume Coordinator:
Rebecca Tredget
Costume Design:
Odile Dicks-Mireaux
Costume Supervisor:
Alex Watherston
Costumer:
Tom O’Dell
Digital Imaging Technician:
Tom Gough
Director:
Edgar Wright
Director of Photography:
Chung Chung-hoon
Editor:
Paul Machliss
Executive Producer:
Daniel Battsek
Rachael Prior
James Biddle
Ollie Madden
First Assistant "A" Camera:
Lewis Hume
First Assistant "B" Camera:
Will Morris
First Assistant Accountant:
Jordan Garland
First Assistant Director:
Richard Graysmark
First Assistant Editor:
Jerry Ramsbottom
Foley Artist:
Adrian Medhurst
Foley Editor:
Brendan Croxon
Foley Recordist:
Duncan Campbell
Foley Supervisor:
Paul Pirola
Gaffer:
Mark Clayton
Graphic Designer:
Sophie Powell
Hair Designer:
Elizabeth Yianni-Georgiou
Hairstylist:
Alexis Continente
Bella Ava Georgiou
Nisha Aulum
Hanna Canfor
Key Grip:
Jim Philpott
Location Manager:
Cat Ho
Calum Green
Makeup Artist:
Bella Ava Georgiou
Nisha Aulum
Hanna Canfor
Tapio Salmi
Makeup Designer:
Elizabeth Yianni-Georgiou
Mix Technician:
Dan Turner
Music Editor:
Bradley Farmer
Music Supervisor:
Kirsten Lane
Orchestrator:
David Butterworth
Original Music Composer:
Steven Price
Post Production Supervisor:
Miranda Jones
Producer:
Edgar Wright
Nira Park
Tim Bevan
Eric Fellner
Production Accountant:
Ana Stichini
Production Coordinator:
Craig Jamieson
Production Design:
Marcus Rowland
Production Sound Mixer:
Colin Nicolson
Production Supervisor:
Lisa Curry
Property Master:
Adam McCreight
Prosthetic Designer:
Barrie Gower
Researcher:
Lucy Pardee
Rebecca Cronshey
Screenplay:
Krysty Wilson-Cairns
Edgar Wright
Script Supervisor:
Paula Casarin
Sculptor:
Colin Jackman
Second Assistant "A" Camera:
Archie Muller
Second Assistant "B" Camera:
Ali Youssef
Second Assistant Director:
Paul Cathie
Second Unit Director:
Jeremy Lovering
Second Unit Director of Photography:
Oliver Curtis
Set Decoration:
Judy Farr
Songs:
Anya Taylor-Joy
Sound Designer:
Ben Meechan
Jeremy Price
Sound Effects Editor:
Arthur Graley
Samir Fočo
Sound Re-Recording Mixer:
Julian Slater
Special Effects Supervisor:
Stephen Hutchinson
Standby Art Director:
Oli van der Vijver
Steadicam Operator:
Chris Bain
Still Photographer:
Parisa Taghizadeh
Story:
Edgar Wright
Storyboard Artist:
Soren Bendt Aaboe Pedersen
Tracey Wilson
John Greaves
Stunt Coordinator:
David Forman
Stunt Double:
Elizabeth Donker Curtius
Varpu Kronholm
William Willoughby
Denise Ryan
Paul Joseph
Stunts:
Chris Newton
David Anders
Paul Bailey
Tony Christian
Ray De-Haan
Levan Doran
Steve Emerson
Josie Forman
Andy Godbold
Dan Griffiths
George Harris
Gary Hoptrough
Robbie Keane
Guy List
Andy Pilgrim
Tina Maskell
Erol Mehmet
Seon Rogers
Marcus Shakesheff
Matt Sherren
Arran Topham
Paul Weston
Peter White
Maxine Whittaker
Annabel Wood
Supervising ADR Editor:
Dan Morgan
Supervising Art Director:
Tim Blake
Supervising Dialogue Editor:
Dan Morgan
Supervising Sound Editor:
Dan Morgan
Julian Slater
Thanks:
Rian Johnson
Third Assistant Director:
Olivia Fitzroy
Title Designer:
Matt Curtis
Transportation Captain:
Barrie Williams
Unit Production Manager:
Jeremy Burnage
Unit Publicist:
Stacy Mann
Visual Effects:
Oliver Cordwell
Chetan Gaur
Daniel Hazeltine
Jamie Hearing
Visual Effects Coordinator:
Danielle Dunster
Issy Haylett
Disha Patel
Alankit Thapa
Visual Effects Editor:
Russell Pawson
Visual Effects Producer:
Anshul Gattani
Danny Huerta
Karl Kuehn
Visual Effects Supervisor:
Thomas Proctor
Wardrobe Master:
Charlotte Ashworth
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.