A work in constant progress (and occasional regress).
Release Date:
October 25, 2018
Original Title:
El otro verano
Genres:
Drama
Production Companies:
Cine Argentino
INCAA
Jaque Content
Polo Audiovisual Córdoba
Tresmilmundos Cine
Universidad del Cine
Production Countries:
Argentina
Ratings / Certifications:
N/A
Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.
Art Direction:
Carolina Vergara
Assistant Director:
Santiago Masip
Camera Operator:
Gustavo Biazzi
Color Grading:
Gustavo Biazzi
Continuity:
Carolina Ambrogi
Costume Design:
Sol Muñoz
Dialogue Editor:
Ignacio Seligra
Director:
Julián Giulianelli
Director of Photography:
Gustavo Biazzi
Editor:
Santiago Esteves
Executive Producer:
Juan Villegas
Paola Suarez
Executive Producer's Assistant:
María Emilia Benzo
First Assistant Camera:
Christian Leiva
First Assistant Director:
Cruz Morena
Foley Artist:
Agustín Casola
Foley Editor:
Diego Marcone
Gaffer:
Alejandro Álvarez
Key Grip:
Jonathan Magario
Lighting Manager:
Pablo Carnicero
Lighting Technician:
Maximiliano di Pietro
Location Manager:
Juan Lupiañez
Music:
Luciano Gagliesi
Sebastián Felisiak
Online Editor:
Julián Giulianelli
Post Producer:
Paola Stachiolla
Producer:
Julián Giulianelli
Production Assistant:
Agostina Arévalo Jaube
Andrés Schinocca
Production Manager:
Laura Perovich
Production Trainee:
Matias Rivera Bacile
Charise Yudewitz
Props:
Martín Paolorossi
Second Assistant Camera:
José Benassi
Mariano Campastro
Set Decoration:
Eugenia Juarez
Sound:
Federico Esquerro
Sound Assistant:
Ezequiel Brodsky
Sound Effects Editor:
Daniel Fernández Pérez
Sound Mixer:
Esteban Golubicki
Sound Post Supervisor:
Federico Esquerro
Sound Recordist:
Patricio Tosco
Thanks:
Manuel Antín
Mario Santos
Celina Murga
Writer:
Julián Giulianelli
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.