A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Born:
September 11, 1977
Foley Recordist:
2008 Cyclops
2009 Peacetime
2009 The Secret in Their Eyes
Mixing Engineer:
2008 Cyclops
2009 Peacetime
2009 The Secret in Their Eyes
2022 Argentina, 1985
Sound:
2008 Cyclops
2009 Peacetime
2009 The Secret in Their Eyes
2021 Charlotte
2022 Argentina, 1985
Sound Designer:
2008 Cyclops
2009 Peacetime
2009 The Secret in Their Eyes
2015 Castro: The World's Most Watched Man
2020 Angélica
2021 Charlotte
2022 Argentina, 1985
Sound Effects Editor:
2008 Cyclops
2009 Peacetime
2009 The Secret in Their Eyes
2015 Castro: The World's Most Watched Man
2018 The Last Man
2020 Angélica
2021 Charlotte
2022 Argentina, 1985
Sound Post Supervisor:
2008 Cyclops
2009 Peacetime
2009 The Secret in Their Eyes
2015 Castro: The World's Most Watched Man
2018 The Last Man
2020 Angélica
2021 Charlotte
2022 Argentina, 1985
2023 How to Deal with a Heartbreak
Sound Re-Recording Mixer:
2008 Cyclops
2009 Peacetime
2009 The Secret in Their Eyes
2015 Castro: The World's Most Watched Man
2018 The Last Man
2018 The Quietude
2019 Rosita
2020 Angélica
2021 Charlotte
2022 Argentina, 1985
2022 Dating Hell
2023 How to Deal with a Heartbreak
Supervising Sound Editor:
2008 Cyclops
2009 Peacetime
2009 The Secret in Their Eyes
2009 Waiting for the Hearse 2: The Party is Over
2015 Castro: The World's Most Watched Man
2018 The Last Man
2018 The Quietude
2019 Rosita
2020 Angélica
2021 Charlotte
2022 Argentina, 1985
2022 Dating Hell
2023 How to Deal with a Heartbreak
Sound Designer:
2020 Post Mortem
Supervising Sound Editor:
2005 Doble vida
2020 Post Mortem
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.