A work in constant progress (and occasional regress).
Release Date:
October 12, 2017
Original Title:
Happy Death Day
Alternate Titles:
Bonne fête encore!
Feliz Dia Para Morrer
Half to Death
Happy Birthdead
Срећан дан смрти
สุขสันต์วันตาย
死亡無限LOOP
死日快乐
Genres:
Comedy | Horror | Mystery | Thriller
Production Companies:
Blumhouse Productions
Digital Riot Media
Universal Pictures
Vesuvius Productions
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: M BR: 14 CH: 12 DE: 12 DK: 15 ES: 12 FI: K-16 FR: 12 GB: 15 HU: 16 IE: 15A JP: R18+ KR: 15 MX: B-15 NL: 16 NO: 15 PL: 16 PT: M/14 RO: 15 RU: 16+ TH: 15 TW: 輔12 US: PG-13
Runtime: 97
Caught in a bizarre and terrifying time warp, college student Tree finds herself repeatedly reliving the day of her murder, ultimately realizing that she must identify the killer and the reason for her death before her chances of survival run out.
ADR Mixer:
Travis MacKay
ADR Supervisor:
Ryan Briley
Art Department Coordinator:
Cydney Tucker
Jessica Lee
Art Direction:
Michelle C. Harmon
Assistant Editor:
Drew Sacks
Lucy Donaldson
Assistant Property Master:
Matt Lopac
Assistant Sound Editor:
James Parnell
Best Boy Electric:
Scott Zuchowski
Best Boy Grip:
Chad Naremore
Boom Operator:
Ryan Putz
Camera Operator:
Robert Foster
Damian Church
Casting:
Terri Taylor
Elizabeth Coulon
Casting Associate:
Sarah Domeier Lindo
Co-Producer:
Ryan Turek
Phillip Dawe
Beatriz Sequeira
Construction Coordinator:
Jerry G. Henery
Costume Design:
Meagan McLaughlin
Costume Supervisor:
Jessica Carpenter
Dialogue Editor:
Danika Benton Wikke
Director:
Christopher Landon
Director of Photography:
Toby Oliver
Dolly Grip:
Kendell Joseph
Editor:
Gregory Plotkin
Electrician:
Joseph Paolucci Jr.
Josh Nobles
Executive Producer:
Couper Samuelson
Seth William Meier
John Baldecchi
Jeanette Volturno
Angela Mancuso
First Assistant "A" Camera:
Ryosuke Kawanaka
First Assistant Director:
Dan Katzman
Foley Artist:
Habib Tannous
Gaffer:
Sean Finnegan
Greensman:
Dave Merry
Hair Department Head:
Margeaux Fox
Hairstylist:
Renee Ramos
Allison Shepherd
Key Grip:
Chris Ekstrom
Key Hair Stylist:
Dee Leveque
Key Makeup Artist:
Mary Ashton Honore
Chrissy Morris
Leadman:
John Lamkin
Makeup Artist:
Ignacia Soto-Aguilar
Makeup Department Head:
Ashley Levy
Music Editor:
Brett Pierce
Michael Baber
Ren Stewart
Music Supervisor:
Andrea von Foerster
Original Music Composer:
Bear McCreary
Post Production Coordinator:
Olga Hamlet
Post Production Supervisor:
Jennifer Scudder Trent
Producer:
Jason Blum
Production Accountant:
Todd Crockett
Production Coordinator:
Kristin Peterman
Production Design:
Cece Destefano
Production Supervisor:
Erin Vitali
Property Master:
Alicia Haverland
Propmaker:
William Burck
Christopher P. Boyne
Script Supervisor:
Sarah Willgrube
Seamstress:
Kazli Sullivan
Second Assistant "A" Camera:
Stephen Vicari
Second Assistant Director:
Seth Hansen
Second Second Assistant Director:
Jared Swidzinski
Set Decoration:
Lisa Alkofer
Gretchen Gattuso
Set Medic:
Garin W. Sparks
Sound Effects Editor:
Joshua Adeniji
Michael Baird
Special Effects Coordinator:
Tom Wiseman
Steadicam Operator:
Chad Chamberlain
Still Photographer:
Patti Perret
Stunt Coordinator:
Mark Rayner
Stunt Double:
Andy Dylan
Eddie J. Fernandez Jr.
Kelly Phelan
Delmar Reyna
Corrina Roshea Bobb
Nicole Marines
Stunts:
Preston Schrag
Supervising Sound Editor:
Trevor Gates
Utility Stunts:
Simon Potter
Nito Larioza
Tim Bell
Visual Effects Producer:
Kieley Culbertson
Writer:
Scott Lobdell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.