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Midnight Sun (2018) [PG-13]

Release Date:
March 22, 2018

Original Title:
Midnight Sun

Alternate Titles:
Amar-te à Meia-Noite
Amor a Medianoche
ミッドナイト・サン タイヨウのうた
미드나잇 선

Genres:
Drama | Romance

Production Companies:
Boies/Schiller Film Group
Universal Pictures
Wrigley Pictures

Production Countries:
United States of America

Ratings / Certifications:
AT: 14  AU: PG  BR: 12  DK: 11  ES: 12  GB: 12A  HK: IIA  HU: 12  IE: 12A  IL: הותר לכל  IT: PG-13  JP: G  KR: 12  LT: N-13  NL: 12  PT: M/12  RU: 16+  SK: 12  US: PG-13 

Runtime: 91

Love will light the way.

Overview from TheMovieDB

Katie, a 17-year-old, has been sheltered since childhood and confined to her house during the day by a rare disease that makes even the smallest amount of sunlight deadly. Fate intervenes when she meets Charlie and they embark on a summer romance.

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Performers

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Production

Art Direction:
Laurel Bergman

Assistant Location Manager:
W. Robert Millar

Casting:
Rich Delia

Co-Producer:
Katie Silberman
Katherine S. Chang
Erika Abe
Devin Andre
Tracey Jeffrey

Director:
Scott Speer

Director of Photography:
Karsten 'Crash' Gopinath

Editor:
Michelle Harrison
Tia Nolan

Executive Producer:
Hiroki Shirota
David Boies III
James McGough
Alan Ou
Scott Speer

First Assistant Director:
Jason Furukawa

Novel:
Aya Tenkawa

Original Film Writer:
Kenji Bando

Original Music Composer:
Nate Walcott

Post Production Supervisor:
John Portnoy

Producer:
John Rickard
Jen Gatien
Zack Schiller
Tracey Jeffrey

Production Design:
Eric Fraser

Production Manager:
Mandy Spencer-Phillips

Script Supervisor:
Sandra Montgomery

Second Assistant Director:
Shane Erron West

Sound Effects Editor:
Ryan Collins

Stunt Double:
Lisa Chandler

Third Assistant Director:
Jason Yeung

Writer:
Eric Kirsten

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.