I Now Pronounce You Chuck & Larry (2007) [PG-13]

Release Date:
July 12, 2007

Original Title:
I Now Pronounce You Chuck & Larry

Alternate Titles:
Chuck & Larry - Wie Feuer und Flamme
Declaro-vos Marido e... Marido
Eu os Declaro Marido e… Larry
I Now Pronounce You Chuck and Larry
Os declaro marido y marido
Yo los Declaro Marido y Larry
當我們「假」在一起
迫上断背山

Genres:
Comedy | Romance

Production Companies:
Happy Madison Productions
Universal Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: M  CZ: 12+  DE: 12  DK: 12  FR: U  GB: 12A  HU: 12  IE: 15  JP: R18+  KR: 15  MX: B  NO: 6  NZ: M  PL: 16  PT: M/12  RO: 15  SE: Btl  US: PG-13 

Runtime: 115

They're as straight as can be, but don't tell anyone.

Firefighters Chuck Ford and Larry Valentine are guy's guys, loyal to the core—which is why when widower Larry asks Chuck to pose as his lover so that he can get domestic partner benefits for his kids, his buddy agrees. However, things get dicey when a bureaucrat comes calling, and the boys are forced to present a picture of domestic bliss.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"A" Camera Operator:
Andrew Rowlands

"B" Camera Operator:
Richard Merryman

"C" Camera Operator:
Gary L. Camp

ADR Mixer:
Howard London
David Weisberg

ADR Supervisor:
Russell Farmarco

ADR Voice Casting:
Leigh French

Art Department Coordinator:
Dru Homer

Art Direction:
Alan Au
David Swayze

Assistant Art Director:
John Collins
Robert Fechtman

Assistant Chief Lighting Technician:
Joe Martens

Assistant Costume Designer:
Nora Phillips Pedersen
Mary Iannelli

Assistant Editor:
Morgan Davis Foehl
Terry Hubbard

Assistant Property Master:
Chuck Askerneese
Mike Bertolina

Assistant Sound Editor:
Matthew P. Hanson

Associate Producer:
Amanda Morgan Palmer

Best Boy Grip:
Pablo Santiago-Brandwein

Boom Operator:
Anthony Ortiz

Camera Loader:
Brandon Ponticelle

Camera Operator:
Ian Fox

Casting:
Roger Mussenden

Casting Assistant:
Katie Taylor

Chief Lighting Technician:
James J. Gilson

Choreographer:
Hi-Hat

Co-Producer:
Nick Swardson
Kevin Grady
Allen Covert

Construction Coordinator:
Dennis DeWaay

Costume Design:
Ellen Lutter

Costume Supervisor:
Elaine Ramires

Dialogue Editor:
Hugo Weng
Cameron Steenhagen

Director:
Dennis Dugan

Director of Photography:
Dean Semler

Dolly Grip:
John W. Murphy
Michael S. Epley

Editor:
Jeff Gourson

Executive Producer:
Barry Bernardi
Ryan Kavanaugh
Lew Gallo

First Assistant Accountant:
Sherri Goldman

First Assistant Camera:
Chad Rivetti
Fred L. McLane
Tony Rivetti Sr.

First Assistant Director:
Jamie Marshall

First Assistant Editor:
Tamara McDonough

Foley Artist:
Catherine Harper
Christopher Moriana

Foley Mixer:
Darrin Mann

Graphic Designer:
William Eliscu

Grip:
Jason Winger
Tony T. Thomas
Michael P. Catanzarite
Jack Serino
Richard Allen
John Hale
Balentin Cruz

Hair Department Head:
Thomas Real

Hairstylist:
Pierce Austin
Maynard Matthews

Key Grip:
William 'Bear' Paul

Key Hair Stylist:
Nancy Tong

Key Makeup Artist:
Kathleen Freeman

Key Rigging Grip:
Kim Heath

Key Set Costumer:
Valerie Zielonka

Leadman:
Brett Smith

Line Producer:
Daryl Kass

Location Manager:
Ralph Coleman

Makeup Artist:
Corina C. Duran-Rabichuk

Makeup Department Head:
Ann Pala

Music Editor:
J.J. George
Stuart Grusin

Music Supervisor:
Michael Dilbeck
Brooks Arthur

Original Music Composer:
Rupert Gregson-Williams

Payroll Accountant:
David Romano

Producer:
Jack Giarraputo
Amanda Morgan Palmer
Adam Sandler
Tom Shadyac
James D. Brubaker
Michael Bostick

Production Accountant:
John C. Kruize

Production Coordinator:
Jason Tamez

Production Design:
Perry Andelin Blake

Property Master:
Timothy S. Wiles

Prosthetics:
Gary Archer

Rigging Gaffer:
John Martens

Rigging Grip:
Paul F. Barron
Don Telles
Anthony Novarez
Carlos DePalma
Jeff Brinker
William Ambrose
Josh Seifert

Screenplay:
Jim Taylor
Alexander Payne
Barry Fanaro

Script Supervisor:
Nancy Karlin

Second Assistant Camera:
Roger Wall
Tim Nagasawa
Raul Riveros
Rodney Sandoval

Second Assistant Director:
Thomas Coe

Second Second Assistant Director:
Carlos De La Torre

Second Unit Director:
Doug Coleman

Set Decoration:
Gary Fettis

Set Designer:
Jann K. Engel
Patte Strong-Lord
Jeff Markwith

Set Dresser:
Jim Johnson
P. Scott Bailey
Edward J. Protiva
Leslie Warren
David Ladish
Antonio Andraus
Marcus Epps
Jay Smith

Set Production Assistant:
Alex Betuel

Sound Effects Editor:
Paul Berolzheimer
Marc Glassman
Piero Mura

Sound Mixer:
Thomas Causey

Special Effects:
Allen Hall

Special Effects Makeup Artist:
Kazu Hiro

Special Effects Supervisor:
Allen Hall

Special Effects Technician:
Jeff Ogg

Steadicam Operator:
Gary L. Camp
Andrew Rowlands

Still Photographer:
Tracy Bennett

Storyboard Artist:
Warren Drummond

Stunt Coordinator:
Doug Coleman

Stunt Double:
Paul E. Short

Stunts:
Peter Epstein
Mickey Giacomazzi
Eliza Coleman

Supervising Art Director:
Alan Au

Supervising Sound Editor:
David Bach
Elmo Weber

Supervising Sound Effects Editor:
Derek Vanderhorst

Transportation Captain:
Juan J. Rodriguez

Transportation Coordinator:
Edward Flotard

Unit Production Manager:
Daryl Kass

Unit Publicist:
Tammy Sandler

Utility Sound:
Richard Kite

treatment:
Lew Gallo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.