A work in constant progress (and occasional regress).
Release Date:
August 22, 2013
Original Title:
Blood Ties
Alternate Titles:
Blood Ties
Lazos Sangrientos
Lazos de Familia
Laços de Sangue
血盟風雲
Genres:
Crime | Drama | Thriller
Production Companies:
Canal+
Caneo Films
Chi-Fou-Mi Productions
Ciné+
France 3 Cinéma
France 4
France Télévisions
Grisbi Productions
LGM Productions
Les Productions du Trésor
M6
Mars Distribution
Treasure Company
W9
Wild Bunch
Worldview Entertainment
Production Countries:
France | United States of America
Ratings / Certifications:
AU: MA15+ CH: 16 DE: 16 FR: 16 GB: 15 GR: 16 HU: 16 IE: 15 NL: 16 PT: M/16 RU: 16+ US: R
Runtime: 128
Two brothers, on either side of the law, face off over organized crime in Brooklyn during the 1970s.
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ADR Mixer:
Steven Ghouti
ADR Supervisor:
Katia Boutin
ADR Voice Casting:
Bruce Winant
Ager/Dyer:
Troy David
Art Department Coordinator:
Tessa Brophy
Benji Cox
Art Department Production Assistant:
Kendall Fleisher
Chel Hathaway
Art Direction:
Henry Dunn
Assistant Art Director:
Bobby Berg
John Pollard
Assistant Costume Designer:
Christine Bean
Naomi Wolff Lachter
Assistant Property Master:
Shannon Robert Bowen
Assistant Sound Editor:
Mari Riviere
Associate Producer:
Cyril Colbeau-Justin
Jean-Baptiste Dupont
Best Boy Grip:
Pedro Hernández
Boom Operator:
Linda Murphy
Camera Operator:
Jon Delgado
Rodolphe Lauga
Camera Production Assistant:
Camilo Mendoza
Carpenter:
Kevin Herlihy
Mike Melchiove
James Tlockowski
Casting:
Avy Kaufman
Casting Associate:
Leeba Zakharov
Color Grading:
Xavier Desjours
Construction Coordinator:
Michael Herlihy
Construction Foreman:
Michael Curry Jr.
Construction Grip:
Dominick Cocuzzo
Greg Mazzola
Costume Coordinator:
Hilary Sahn
Costume Design:
Michael Clancy
Costume Supervisor:
Tracey Phillips-Boone
Kevin Ritter
Costumer:
Amy L. Teets
Dialogue Editor:
Katia Boutin
Digital Compositor:
Christophe Dehaene
Bessaguet Eléonore
Adrien Garcia
Mathieu Legros
Benjamin Pelletreau
Vincent Perzo
Joel Pinto
Pierre Procoudine-Gorsky
Amélie Rey
Digital Imaging Technician:
J. Eric Camp
Douglas K. Horton
Director:
Guillaume Canet
Director of Photography:
Christophe Offenstein
Dolly Grip:
Daniel Wallenstein
Editor:
Hervé de Luze
Electrician:
Carter Bissell
Jesse Chertoff
John Hockenberry
Christopher Liscinsky
Joy Weber
Zenfeek
Executive Producer:
James Gray
Maria Cestone
Sarah E. Johnson
Molly Conners
Hoyt David Morgan
Christopher Goode
Vincent Maraval
Kerry Orent
Extras Casting:
Meredith Jacobson Marciano
First Assistant "A" Camera:
Nick Demas
First Assistant "B" Camera:
Julien Zeitouni
First Assistant "C" Camera:
Brett Walters
First Assistant "D" Camera:
Michael Grantland
First Assistant Director:
Mathias Honoré
First Assistant Editor:
Lionel Cassan
Gaffer:
Mark Schwentner
Generator Operator:
Timothy Berg
Graphic Designer:
Joan Winters
Grip:
Daniel Cocuzzo
George Elias
Keith Gordon
Shaun Lowry
Chris Quilles
Ethan Rosenduft
Dana Wisher
Hair Department Head:
Jasen Joseph Sica
Hairstylist:
John Quaglia
Stanley Tines
Martial Corneville
Key Carpenter:
Malcolm Reid
Key Construction Grip:
Bryan Tonkin
Key Costumer:
Linda Giammarese
Key Grip:
Gary Martone
Key Hair Stylist:
Christine Fennell
Key Makeup Artist:
Roxanne Rizzo
Leadman:
David Scott Gagnon
Lighting Technician:
John Alcantara
Line Producer:
Xavier Amblard
Bruno Vatin
Makeup & Hair:
Dorka Nieradzik
Makeup Artist:
Sunday Englis
Julia Lallas
Makeup Department Head:
Margot Boccia
Music:
Maxim Nucci
Novel:
Bruno Papet
Michel Papet
Original Film Writer:
Pierre Chosson
Éric Veniard
Picture Car Coordinator:
Katie Clinebelle
Joshua Lee Yancey
Producer:
Alain Attal
Guillaume Canet
John Lesher
Hugo Sélignac
Christopher Woodrow
Production Design:
Ford Wheeler
Production Supervisor:
Bruno Vatin
Property Master:
Scott Getzinger
Max Sherwood
Props:
Liza Donatelli
Isaac Gabaeff
Joanna Leavens
Scenic Artist:
Diane Andazola
Julia Barraclough
Ann Marie Ryan
Christopher Doogan
Screenplay:
Guillaume Canet
James Gray
Script Coordinator:
Katie Tibaldi
Script Supervisor:
Valerie Harrington
Diane Hounsell
Second Assistant "A" Camera:
Warren Brace
Second Assistant "B" Camera:
Paul Schilens
Second Assistant "C" Camera:
Kris Enos
Second Assistant "D" Camera:
Greg McMahon
Second Assistant Director:
Charlie Foster
Justin Ritson
Set Costumer:
Kristine Bellerud
Stephanie Farah
Shawnique Hill
Thomas M. Smalley
Richard A. Zimmer
Ann Nguyen
Set Decoration:
Cherish M. Hale
Heather Loeffler
Set Dresser:
Anthony Baldasare
Jonathan Huggins
Sound Mix Technician:
Pierre-Jean Labrusse
Sound Mixer:
Michael Barosky
Sound Re-Recording Mixer:
Vincent Cosson
Tom Johnson
Special Effects Coordinator:
Jeff Brink
Special Effects Makeup Artist:
Tom Denier Jr.
Craig Lindberg
Steadicam Operator:
Rodolphe Lauga
Still Photographer:
Atsushi Nishijima
Story:
Jacques Maillot
Storyboard Artist:
David Cooney
Stunt Coordinator:
Roy Farfel
Stunt Double:
Aja Frary
Stunt Driver:
Don Hewitt Sr.
Stunts:
Aaron Vexler
Blaise Corrigan
Supervising Sound Editor:
Jean Goudier
Tailor:
Colleen Morris-Glennon
Dain I. Kalas
Thanks:
James Gray
Transportation Captain:
Ralph Volpe
Utility Sound:
Wyatt Tuzo
Bret Scheinfeld
Visual Effects Coordinator:
Florian Chauvet
Visual Effects Editor:
Kevin Pacini
Visual Effects Supervisor:
Alain Carsoux
Georges Tornero
Wigmaker:
Martial Corneville
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.