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Reds (1981) [PG]

Release Date:
December 25, 1981

Original Title:
Reds

Alternate Titles:
Comrades
John Reed: The Ten Days That Shook the World
Les rouges
Reds - Ein Mann kämpft für Gerechtigkeit
Reds: The John Reed Story
Rojos
The John Reed and Louise Bryant Story

Genres:
Drama | History | Romance

Production Companies:
Barclays Mercantile Industrial Finance
JRS Productions
Paramount Pictures

Production Countries:
United States of America

Ratings / Certifications:
AR: ATP  AU: M  DE: 12  FI: K-16  GB: 15  IE: 15  IT: T  NL: 12  SE: 11  US: PG 

Runtime: 195

Not since Gone with the Wind has there been a great romantic epic like it!

Overview from TheMovieDB

An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.

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Additional information:

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Trailer

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American Film Institute (AFI)
2002
#55 		100 Years: 100 PASSIONS
100 Greatest Love Stories Of All Time
2008
#9 		Top 10: EPIC
10 Greatest EPIC Films of All Time

Performers

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Production

Additional Music:
Dave Grusin

Additional Writing:
Elaine May

Art Direction:
Simon Holland

Assistant Art Director:
Ros Shingleton

Assistant Director:
Simon Relph

Assistant Sound Editor:
Randall Coleman
Marshall Grupp
Thomas A. Gulino
Darrell Hanzalik
Bruce Kitzmeyer
Jane McCulley
Yvette Nabel
Harry Peck Bolles
Fred Rosenberg
Jeffrey Stern
Brunilda Torres

Associate Producer:
David L. MacLeod

Boom Operator:
David Stephenson

Camera Operator:
Enrico Umetelli

Casting:
Noel Davis
Patsy Pollock
Jeremy Zimmermann

Choreographer:
Gillian Gregory
Stefan Wenta

Clapper Loader:
Jeremy Gee

Construction Manager:
Jack Carter

Costume Design:
Shirley Russell

Director:
Warren Beatty

Director of Photography:
Vittorio Storaro

Draughtsman:
John King
Buzz Stephens

Editor:
Craig McKay
Dede Allen

Executive Producer:
Simon Relph
Dede Allen

Focus Puller:
Roberto Alberti

Gaffer:
Laurie Shane

Hairstylist:
Barry Richardson
Joan Carpenter

Makeup Artist:
Bob Lawrance
Paul Engelen

Music Editor:
Michael Tronick
Ted Whitfield

Negative Cutter:
Donah Bassett

Original Music Composer:
Stephen Sondheim
Dave Grusin

Producer:
Warren Beatty

Production Accountant:
Jak King

Production Assistant:
Vicki Deason

Production Design:
Richard Sylbert

Production Manager:
Nigel Wooll

Property Master:
George Ball

Scenic Artist:
Bob Spencer

Screenplay:
Warren Beatty
Trevor Griffiths

Script Supervisor:
Zelda Barron

Second Assistant Director:
Michael Green
Peter Waller

Second Unit Director:
Craig R. Baxley

Sound Editor:
Stan Bochner
Louis Cerborino
Marjorie Deutsch
Jay Dranch
Peter C. Frank
Kate Hirson
Hal Levinsohn
Dan Lieberstein
Maurice Schell

Sound Engineer:
David Allen

Sound Mixer:
Simon Kaye

Sound Re-Recording Mixer:
Tom Fleischman
Dick Vorisek

Still Photographer:
David Appleby

Stunt Coordinator:
Craig R. Baxley

Supervising Sound Editor:
Richard P. Cirincione

Third Assistant Director:
Michael Zimbrich

Wardrobe Master:
Rebecca Breed

Wardrobe Supervisor:
Richard Pointing

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.